Douglas Coupland
Douglas Coupland
Douglas Coupland OC OBCis a Canadian novelist and artist. His fiction is complemented by recognized works in design and visual art arising from his early formal training. His first novel, the 1991 international bestseller Generation X: Tales for an Accelerated Culture, popularized terms such as "McJob" and "Generation X". He has published thirteen novels, two collections of short stories, seven non-fiction books, and a number of dramatic works and screenplays for film and television. A specific feature of Coupland's novels...
NationalityCanadian
ProfessionAuthor
Date of Birth30 December 1961
CountryCanada
There's much to be said for feeling numb. Time passes more quickly. You eat less, and because numbness encourages laziness, you do fewer things, good or bad, and the world's probably a better place for it.
Feeling unique is no indication of uniqueness.
I didn't realize then that so much of being adult is reconciling ourselves with the awkwardness and strangeness of our own feelings. Youth is the time of life lived for some imaginary audience
Our conversations are never easy, but as I-we-get older, we are finding that our conversations must bespoken. A need burns inside us to share with others what we are feeling Beyond a certain age, sincerity ceases to feel pornographic. It is as though the coolness that marked out youth is itself a type of retrovirus that can only leave you feeling empty. Full of holes.
Compromise is said to be the way of the world and yet I find myself feeling sick trying to accept what it has done to me.
As you grow older, it becomes harder to feel 100 percent happy; you learn all the things that can go wrong, you become superstitious about tempting fate, about bringing disaster upon your life by accidentally feeling too good one day.
Fashionable people can opt out of the fashion stream, but a stylish person never becomes unstylish unless they hit their head on a rock and suffer brain damage.
Fashion only seems to make sense if it's rooted in some dimension of history or if it feels like a continuation of an idea.
Books arrive in my head all at once, and then it becomes an 18-month process of getting it all down on paper.
The thing with bookshelves, no matter how many you have, you always fill them.
The thing about the future is that it never feels the way we thought it would.
The thing about the end of the world is that not just the West collapses, the whole world does.
The thing about living in the 21st century is you can get to fortysomething and not have anyone major in your life die.
The things worth writing about, and the things worth reading about, are the things that feel almost beyond description at the start and are, because of that, frightening.