Dean Koontz
Dean Koontz
Dean Ray Koontzis an American author. His novels are broadly described as suspense thrillers, but also frequently incorporate elements of horror, fantasy, science fiction, mystery, and satire. Many of his books have appeared on the New York Times Bestseller List, with 14 hardcovers and 14 paperbacks reaching the number one position. Koontz wrote under a number of pen names earlier in his career, including "David Axton", "Leigh Nichols" and "Brian Coffey". He has sold over 450 million copies as reported on...
NationalityAmerican
ProfessionNovelist
Date of Birth9 July 1945
CityEverett, PA
CountryUnited States of America
Narcissists are everywhere in this ripe age of self-love, which amazes me because so much in life would seem to foster humility. Each of us is a potential source of foolishness, each of us must endure the consequences of the foolishness of others, and in addition to all of that, Nature frequently works to impress upon us our absurdity and thereby remind us that we are not the masters of the universe that we like to suppose we are. - Odd Thomas - Odd Apocalypse by Dean Koontz pg 62 chapter 8
Modesty is related to diffidence, diffidence is related to shyness, Shyness is a synonym for timidity, timidity is a characteristic of the meek, the meek do not inherit the Earth, they serve those who are self confident and self assertive.
Truth is always stranger than fiction. We craft fiction to match our sense of how things ought to be, but truth cannot be crafted. Truth is, and truth has a way of astonishing us to our knees. Reminding us, that the universe does not exist to fulfill our expectations. Because we are imperfect beings who are self-blinded to the truth of the world’s stunning complexity, we shave reality to paper thin theories and ideologies that we can easily grasp – and we call them truths. But the truth of a sea in all it’s immensity cannot be embodied in one tidewashed pebble.
Humanity was drawn to turmoil and self-destruction as inevitably as the earth was drawn to complete its annual revolution of the sun.
Although the human heart is selfish and arrogant, so many struggle against their selfishness and learn humility; because of them, as long as there is life, there is hope that beauty lost can be rediscovered, that what has been reviled can be redeemed.
From time to time, I do consider that I might be mad. Like any self-respecting lunatic, however, I am always quick to dismiss any doubts about my sanity.
Any drunk who has tried to put his car where a lamppost stands is a self-educated physicist.
But victimhood was seductive, a release from responsibility and caring. Fear would be transmuted into weary resignation; failure would no longer generate guilt but, instead, would spawn a comforting self-pity.
I've always operated with a great deal of self-doubt. Every time I start a new book it's like, well, this one will destroy the career and I have to overcome that feeling especially in the first hundred pages of the book.
In self-defense and in defense of the innocent, cowardice is the only sin.
The opportunity to love a dog and to treat it with kindness is an opportunity for a lost and selfish heart to be redeemed. They are powerless and innocent, and it is how we treat the humblest among us that surely determines the fate of our souls
In our age, self-indulgence and self-destruction, rather than self-sacrifice, are the foundations for new heroic myths.
No one can genuinely love the world, which is too large to love entire. To love all the world at once is pretense or dangerous self-delusion. Loving the world is like loving the idea of love, which is perilous because, feeling virtuous about this grand affection, you are freed from the struggles and the duties that come with loving people as individuals.
I have more self-doubt than any writer I've ever known.... The positive aspect of self-doubt - if you can channel it into useful activity instead of being paralyzed by it - is that by the time you reach the end of a novel, you know precisely why you made every decision in the narrative, the multiple purposes of every metaphor and image.