David Rakoff

David Rakoff
David Benjamin Rakoffwas a Canadian-born American writer based in New York City, who was noted for his humorous and sometimes autobiographical non-fiction essays. Rakoff was an essayist, journalist, and actor, and a regular contributor to WBEZ's This American Life. Rakoff described himself as a "New York writer" who also happened to be a "Canadian writer", a "mega Jewish writer", a "gay writer", and an "East Asian Studies major who has forgotten most of his Japanese" writer...
NationalityCanadian
ProfessionWriter
Date of Birth27 November 1964
CountryCanada
Fantastic days are what you wish upon those who have so few sunrises left, those whose lungs are so lesion-spangled with new cancer that they should be embracing as much life as they can. Time's a-wasting, go out and have yourself a fantastic day! Fantastic days are for goners.
I value kindness in myself and others. I try to remain super-vigilant about my targets and make extra sure that my sometimes barbed comments are deserved and in response to genuine malefaction.
Pessimists are born, true, but they also can be made.
I find writing extraordinarily difficult and not very pleasurable, though I find having done it very pleasurable. I won't lie about that.
I can see a great beauty in acknowledging the fact that the world is dark.
Central to living a life that is good is a life that's forgiving. We're creatures of contact, regardless of whether we kiss or we wound.
I do not go outdoors... As far as I'm concerned, the whole point of living in New York City is indoors. You want greenery? Order the spinach.
Everyone has an internal age, a time in life when one is, if not one's best, then at very least one's most authentic self. I always felt that my internal clock was calibrated somewhere between 47 and 53 years old.
Adam and Eve, not Adam and Steve. Well, of course not Adam and Steve. Never Adam and Steve. It's Adam and Steven.
I was going to say that writing is about disclosure and acting is about obfuscation, but that's such a little lie. Both of them are about obfuscation and masking oneself.
At least three times a week, I am overwhelmed with a wave of gratitude to New York City for providing me with a life. Not that my life is so great, although I think it's pretty nifty: I don't mine coal; I get paid to write.
Those weeks before diagnosis can be among the most torturous times. There is a reason you're called a patient once the plastic bracelet goes on.
Unless one is planning to go shopping - basically begging to be smothered by the ravening throngs of returners and bargain hunters; an embrace as constricting as that hugging machine designed by autistic author Temple Grandin - then Boxing Day feels like a bar after last call when the lights have been turned up.
The rigors of creativity - the self-doubt, the revising, the solitude - do require a kind of self-consumption. It comes at a cost; a cost that isn't for everyone.