David Mitchell

David Mitchell
English stand up comedian and half of the comedy duo Mitchell and Webb, alongside Robert Webb. He is best known for starring in and writing the Channel 4 series Peep Show, for which he won the British Academy Television Award for Best Comedy Performance in 2009. He has also written and starred in several sketch shows including The Mitchell and Webb Situation, That Mitchell and Webb Sound and, That Mitchell and Webb Look.
NationalityEnglish
ProfessionComedian
Date of Birth14 July 1974
CitySalisbury, England
Writing is probably one-fifth coming up with the stuff, and four-fifths self-editing again and again and again.
People pontificate, "Suicide is selfishness." Career churchmen like Pater go a step further and call in a cowardly assault on the living. Oafs argue this specious line for varying reason: to evade fingers of blame, to impress one's audience with one's mental fiber, to vent anger, or just because one lacks the necessary suffering to sympathize. Cowardice is nothing to do with it - suicide takes considerable courage. Japanese have the right idea. No, what's selfish is to demand another to endure an intolerable existence, just to spare families, friends, and enemies a bit of soul-searching.
I pass through many Me's in the course of my day, each one selfish with his time. The Lying-in-Bed me and the Enjoying-the-Hot-Shower Me are particularly selfish. The Late Me loathes the pair of them.
In an individual, selfishness uglifies the soul; for the human species, selfishness is extinction.
When I talk about my artist parents, people imagine a bohemian environment and think, 'Aha, so that's where he gets it from!' But we were as white, straight, and middle-class as the next family on our white, straight, middle-class housing estate.
The words 'maybe' and 'perhaps' are literally the same - the flavor is the same, the educational level is the same. But you just know when to use maybe and when to use perhaps. I think it's because of this: You get to know the tastes or musical tastes of words themselves, and this informs your choice, whether you use them or not.
There's been very little writing about speech impediments, even though it's this huge psychological barrier.
The state of childhood resonates with life inside a fantasy novel. If you have no control over how you spend large chunks of your day, or are at the mercy of flawed giant beings, then the desire to bend the laws of the world by magic is strong and deep.
Perhaps where text slides toward ambiguity, film inclines to specificity. A novel contains as many versions of itself as it has readers, whereas a film's final cut vaporizes every other way it might have been made.
There's a disease that young writers are susceptible to, which is, I will do this because I can - hubris, I suppose - without stopping to work out why.
If the human condition were the periodic table, maybe love would be hydrogen at No. 1. Death would be helium at No. 2. Power, I reckon, would be where oxygen is.
I don't have problems starting writing. I have problems stopping. I'm one of the last dads to arrive at school to collect the kids, because I want to get this paragraph just right.
The art of the novelist is not unrelated to the illness of multiple personality disorder. It's a much milder form. But the better the book, the nearer to the padded cell you are.
Sometimes I think that creativity is a matter of seeing, or stumbling over, unobvious similarities between things - like composing a fresh metaphor, but on a more complex scale.