David Mitchell
David Mitchell
English stand up comedian and half of the comedy duo Mitchell and Webb, alongside Robert Webb. He is best known for starring in and writing the Channel 4 series Peep Show, for which he won the British Academy Television Award for Best Comedy Performance in 2009. He has also written and starred in several sketch shows including The Mitchell and Webb Situation, That Mitchell and Webb Sound and, That Mitchell and Webb Look.
NationalityEnglish
ProfessionComedian
Date of Birth14 July 1974
CitySalisbury, England
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Pain is strong, aye - but friends' eyes, more strong." I told him that he knows next to nothing about me & I know nothing about him. He jabbed at his eyes & jabbed at mine, as if that single gesture were ample explanation.
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The her that lived in her looked out through her eyes, through my eyes, and at the me that lives in me.
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I think words operate like musical notes that the eyeball hears.
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The Revelation of Sonmi 451 To be is to be perceived, and so to know thyself is only possible through the eyes of the other. The nature of our immortal lives is in the consequences of our words and deeds, that go on and are pushing themselves throughout all time. - Our lives are not our own. From womb to tomb, we are bound to others, past and present, and by each crime and every kindness, we birth our future.
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When I talk about my artist parents, people imagine a bohemian environment and think, 'Aha, so that's where he gets it from!' But we were as white, straight, and middle-class as the next family on our white, straight, middle-class housing estate.
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The words 'maybe' and 'perhaps' are literally the same - the flavor is the same, the educational level is the same. But you just know when to use maybe and when to use perhaps. I think it's because of this: You get to know the tastes or musical tastes of words themselves, and this informs your choice, whether you use them or not.
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There's been very little writing about speech impediments, even though it's this huge psychological barrier.
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The state of childhood resonates with life inside a fantasy novel. If you have no control over how you spend large chunks of your day, or are at the mercy of flawed giant beings, then the desire to bend the laws of the world by magic is strong and deep.
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Perhaps where text slides toward ambiguity, film inclines to specificity. A novel contains as many versions of itself as it has readers, whereas a film's final cut vaporizes every other way it might have been made.
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There's a disease that young writers are susceptible to, which is, I will do this because I can - hubris, I suppose - without stopping to work out why.
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If the human condition were the periodic table, maybe love would be hydrogen at No. 1. Death would be helium at No. 2. Power, I reckon, would be where oxygen is.
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I don't have problems starting writing. I have problems stopping. I'm one of the last dads to arrive at school to collect the kids, because I want to get this paragraph just right.
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The art of the novelist is not unrelated to the illness of multiple personality disorder. It's a much milder form. But the better the book, the nearer to the padded cell you are.
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Sometimes I think that creativity is a matter of seeing, or stumbling over, unobvious similarities between things - like composing a fresh metaphor, but on a more complex scale.