David Gerrold

David Gerrold
David Gerrold is an American science fiction screenwriter and novelist known for his script for the popular original Star Trek episode "The Trouble With Tribbles", for creating the Sleestak race on the TV series Land of the Lost, and for his novelette "The Martian Child", which won both Hugo and Nebula awards, and was adapted into a 2007 film starring John Cusack...
NationalityAmerican
ProfessionWriter
Date of Birth24 January 1944
CountryUnited States of America
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There's two tiers of science fiction: the McDonalds sci-fi like Star Trek, where they have an adventure and solve it before the last commercial, and there are books that once you've read, you never look at the world the same way again.
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Doesn't anybody ever want to talk about anything else besides 'Star Trek?' There were 79 episodes of the series; there were 55 different writers. I was only one of them.
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My approach to 'Star Trek' was, 'I know science fiction, and I know screen writing.' That was very arrogant of me, but you really need to be a little bit arrogant to think that what you have to say is good enough to justify the expense of hundreds of thousands - now millions of dollars - to make an episode of the TV show.
stars writing space
Notice how every science fiction movie or television show starts with a shot of the location where the story is about to occur. Movies that take place in outer space always start with a shot of stars and a starship. Movies that take place on another world always start with a shot of that planet. This is to let you know where you are. Novels and stories start the same way. You have to give the reader a sense of where he is and what's happening as quickly as possible. You don't want to start the story by confusing the reader.
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Theres two tiers of science fiction: the McDonalds sci-fi like Star Trek, where they have an adventure and solve it before the last commercial, and there are books that once youve read, you never look at the world the same way again.
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Star Trek' is the McDonald's of science fiction; it's fast food storytelling. Every problem is like every other problem. They all get solved in an hour. Nobody ever gets hurt, and nobody needs to care. You give up an hour of your time, and you don't really have to get involved. It's all plastic.
I won't even try to predict the specifics, but I think the ebook - as a medium - could be a game-changer.
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If a thing is worth doing, it's worth doing for money
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'The Next Generation' was a lot of fun for a while, and then it wasn't a lot of fun. The reason it wasn't a lot of fun was that this one was going to be a guaranteed hit. The original 'Star Trek' was never a guaranteed hit.
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The first science fiction show on television was 'Tales Of Tomorrow' using scripts from the radio show 'X-1' which used stories from 'Galaxy Magazine' as its source material.
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I think we built the right future. If it's a choice between the flying car or the Internet, tablets and smartphones, I'll take what we've got.
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If you were a kid in 1955, you would pick up a copy of 'Popular Science' and it would say, 'This is the kind of car you're going to be driving in five years or in 20 years you'll be able to take a jet plane from New York to London in four hours,' or something like that. We actually got used to the idea that the future's going to be different.
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Study what you love, and you'll never have to work a day in your life. It'll be one great adventure.
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In the past, a great library was the result of librarians functioning as guardians of culture, tending and caring, selecting and recommending works that maintained and nurtured a cultural heritage.