Dave Brubeck
Dave Brubeck
David Warren "Dave" Brubeckwas an American jazz pianist and composer, considered to be one of the foremost exponents of cool jazz. He wrote a number of jazz standards, including "In Your Own Sweet Way" and "The Duke". Brubeck's style ranged from refined to bombastic, reflecting his mother's attempts at classical training and his improvisational skills. His music is known for employing unusual time signatures, and superimposing contrasting rhythms, meters, and tonalities...
NationalityAmerican
ProfessionPianist
Date of Birth6 December 1920
CityConcord, CA
CountryUnited States of America
My own Brubeck Institute in California is turning out fantastic young jazz players, and I know great things will happen.
I got a poster from Columbia Records, and there's Miles Davis, Charlie Mingus, Ellington, Count Basie - everybody in that poster has died, I'm the only one left. And great players like Paul Desmond and Gerry Mulligan, it's hard to believe they're gone because we were all so close. But I believe in the future and the tradition will go on.
I wasn't allowed to play in some universities in the United States and out of twenty-five concerts, twenty-three were canceled unless I would substitute my black bass player for my old white bass player, which I wouldn't do.
We immediately gelled and we both were hearing things together and feeling the beat together. We both had a wonderful ball ... it was a fun, enjoyable musical experience.
On my way out here, I was writing all the way on the plane, ... and as soon as I got to San Diego, I arranged with the symphony to find an old practice room in their basement. It's better than two-thirds completed. I'd say four-fifths.
My dad was the manager at the 45,000-acre ranch, but he owned his own 1,200-acre ranch, and I owned four cattle that he gave to me when I graduated from grammar school, from the eighth grade. And those cows multiplied, and he kept track of them for years for me. And that was my herd.
Take Five. There's a certain piece that if we don't play, we're in trouble.
You could play probably a span of 50 years of me playing St. Louis Blues, and most of the time it will be different every time.
I started growing up in a hurry and taking a lot of the philosophy I'd heard from church as a kid a lot more seriously - especially the Ten Commandments - and wondering how 'Thou shalt not kill' could be so absolutely ignored. It took me until I was in my 40s to write what I was thinking as a young soldier.
I used to take my mother to Yosemite. When I turned 14, I got my driver's license, and that's where she'd want to go, so I'd go take her there for two weeks.
If there's a deadline, I work late. If not, I like to have normal hours, and get up early and work. When things are going well, I hate to quit. And then I'll work 'till exhausted.
What I want to happen is to be really creative, and to play something new in the improvisations, every time.
Most of the international acceptance of jazz education can be traced to the University of North Texas, Denton, Texas, and the wonderful program they inaugurated.
I knew I wanted to write on religious themes when I was a GI in World War II. I saw and experienced so much violence that I thought I could express my outrage best with music.