Darren Aronofsky
Darren Aronofsky
Darren Aronofskyis an American film director, screenwriter, film producer and environmentalist. He has received acclaim for his often surreal, disturbing films and has been noted for frequent collaborations with cinematographer Matthew Libatique, film editor Andrew Weisblum and composer Clint Mansell. His films have generated controversy and are known for their often violent, bleak subject matter. "The themes in the six Aronofsky’s films from 1998 to 2014 include the search for perfection, the search for happiness, longing for love, intoxication with...
NationalityAmerican
ProfessionDirector
Date of Birth12 February 1969
CityBrooklyn, NY
CountryUnited States of America
I think that there's an infinite amount of places where you can stick a camera. There's an infinite amount of choices of what could be going on. There's an infinite amount of places for so many things, so you have to figure out how to do your job.
The only way I know as a director is to figure out what the film is about. And out of the theme and the sense of what the film is about, all those decisions start to make sense. But to find that truth within it, you have to limit your possibilities and limit your choices. That's where this visual language grows out of.
I try to live my life where I end up at a point where I have no regrets. So I try to choose the road that I have the most passion on because then you can never really blame yourself for making the wrong choices. You can always say you're following your passion.
There's always been a lot of pressure and tension on the line. If 'Pi' didn't work out, I have no idea what my career would be. I don't think I would have gotten another shot at it. If 'Requiem for a Dream' didn't work out, they would have called me a 'one-hit wonder with a sophomore slump'.
I'd like to do a lot of different stuff. I think it's important as a creative person to keep challenging yourself and keep doing new stuff. If you end up trying to repeat yourself it's death. It just becomes boring and takes the passion out of it. You gotta find stories and characters that you really want to hang out with
I grew up in a family with two very strong women, my mother and my older sister, and they were big influences on my life. I've spent a life loving women, and studying them as much as I can, or am allowed to.
I don't make films that are easy to market, unfortunately. I think that 'Pi' was the easiest one, because we had that symbol to stick up everywhere, so that was a good gimmick, and created a good mystery, and we didn't have to do huge scale.
Classical scores go up and down; they're kind of hysterical in a way. And movie scores are much more - they just drive and move forward, and they build and can't go up and down at that same speed. It's a big job to turn that into something that pushes the movie along.
I think people are people and if their feelings are real and truthful they can connect.
Angel Heart' was one of my favorite films.
When I go to movies I generally want to be taken to another world.
At the end of Requiem all I wanted to do was get a DV camera and just do a small film. But then the hunger comes back.
I have a team, the same team of filmmakers I worked with on Pi and Requiem. Which is my cameraman, and my composer, and my producer. We've all worked together for a number of films.
Right after I did 'The Fountain,' I wanted to go make a documentary or something that was less constructed - more natural. I was searching for a project, and sniffing around, 'The Wrestler' fit right in