Danny Boyle
Danny Boyle
Daniel "Danny" Francis Boyle is an English film director, producer, screenwriter and theatre director, known for his work on films including Shallow Grave, Trainspotting, The Beach, 28 Days Later, Slumdog Millionaire, Sunshine, 127 Hours, and Steve Jobs. Boyle's 2008 film Slumdog Millionaire was nominated for ten Academy Awards and won eight, including the Academy Award for Best Director. Boyle was presented with the Extraordinary Contribution to Filmmaking Award at the 2008 Austin Film Festival, where he also introduced that year's...
NationalityEnglish
ProfessionDirector
Date of Birth20 October 1956
There's lots of things that can be solved with cash. And there's occasional things that can't be solved with cash, which become a bureaucratic nightmare for some reason, and there's no distinction between the two.
Actors are steeped in a world of agents and where the next job is coming from and what are their expenses and what is the hotel like. You want to take them out of that world and dump them into another world, so that when you meet them on the screen they don't seem like the guy who was in two others movies that year.
Actors want to impress at the beginning, so you take advantage of that by suddenly saying, 'Right, you're here for two weeks.' What you're doing is creating a siege mentality.
Even though one of them is about an Edinburgh junkie and one's a little boy of eight in Manchester, you want them to always portray their world in such a vivid way that the audience can disappear inside the story.
sort of to reintroduce life into the country, ... So that's the premise of it. It's got a good idea in it. I like that.
You experience the films through the actors, so they're all locked into your imagination in some kind of layer of fantasy or hatred or wherever they settle into your imagination.
You can have great sequences with music, but if you don't have the acting you're bored after 15 minutes. Or not bored, but you're like, 'So what?'
You know what actors are like; they moisturize every night. They're frozen in time.
Movies about space raise those questions of what we're doing here, and that inevitably introduces a spiritual dimension.
You don't realize it, but often people are frightened of the director.
It's easy to like the most popular films, but I have a great fondness for 'A Life Less Ordinary'.
It just seduces you when you read a story and your brain relates to it. You recognize or connect with it. You identify with it; you're bound to.
The great thing about space films generally, with the exception of Apollo 13, is that big stars tend not to work in space and I think that's because space is an equaliser. It makes everyone the same really and suits an ensemble cast and actors who are prepared to work with each other.
If the American taxpayer knew how much they paid per person to put Neil Armstrong on the moon they would never have paid it. It was hidden from them deliberately because the costs were astronomical.