Daniel Libeskind

Daniel Libeskind
Daniel Libeskindis a Polish-American architect, artist, professor and set designer of Polish Jewish descent. Libeskind founded Studio Daniel Libeskind in 1989 with his wife, Nina, and is its principal design architect. His buildings include the Jewish Museum in Berlin, Germany, the extension to the Denver Art Museum in the United States, the Grand Canal Theatre in Dublin, the Imperial War Museum North in Greater Manchester, England, the Michael Lee-Chin Crystal at the Royal Ontario Museum in Toronto, Canada, the Felix...
NationalityPolish
ProfessionArchitect
Date of Birth12 May 1946
CountryPoland
And it is very moving because one has to see the site not as just another site of development but it is a very special site. It is a site that souls and hearts of all Americans.
There will be a competition for the memorial. And then it can be developed with trees, with planting. It can become a very beautiful place protected from the streets, because it is below. And it can be something very moving and very private.
I'm not Candide, nor Dr Pangloss, but we know that faith moves mountains
each year on September 11 between the hours of 8:46 a.m., when the first airplane hit, and 10:28 a.m., when the second tower collapsed, the sun will shine without shadow.
It could not have been done without the generosity of our patrons.
The art of urban planning is not just to do fantasies, to impose mega-structural ideas, but to create rich fabric that has the complexity of New York City. New York City is not just a simple-minded village,
The public has to understand, it's not just build some buildings. I don't think there has ever been such a project with such urgency and such speed, given the complexity.
The public has to understand, it's not just build some buildings,
We all came to see that site. We all walked around it. It is already sacred.
It's a project that touched me as an immigrant and as a New Yorker.
We will work with everybody for the good of New York
It's a fantastic responsibility and a wonderful moment.
The foreign press seems obsessed with the Freedom Tower, as if it was the only thing going on here. In fact, we're trying to keep a huge juggling act in balance, with the tower as just one of the many balls in play.
Well, I didn't want to have the reminder sort of in the sky, so that people would forever look at it. I wanted to have - really to create a city from the bottom up. From that foundation, which held, from the democratic power of what the site really is.