Dan Harmon
Dan Harmon
Dan Harmonis an American writer and producer. Harmon is best known for creating and producing NBC comedy series Community, co-creating Adult Swim animated television series Rick and Morty, and co-founding the alternative television network/website Channel 101. Harmon published You'll Be Perfect When You're Dead in 2013 and is currently working on a second book set for publication in 2016...
NationalityAmerican
ProfessionTV Producer
Date of Birth3 January 1973
CountryUnited States of America
I always try to use my medium, and if I get into a normal sitcom-writing contest with normal sitcom writers, I'm going to lose.
It's so difficult to write good music. It's also really difficult to think about how to do it without violating the sanctity of the fourth wall.
The most rewarding part of writing for TV is - a year ago I would have said it's just watching it on TV, it's just having been done with it and then collecting all that energy.
TV tends to be like, if you're lucky, it's like Las Vegas. You can't get out. There's always another pitch meeting. They keep you on the casino floor. If I'm unlucky, if I'm lucky enough to be unlucky, I would love to write a movie.
'I want to touch people but if I touch them in real life they'll slap me.' That's what writing isit's a gross person getting a hug.
Good writers hate bad writing but hating bad writing doesn’t make you good. Writing badly does.
There's the same percentage of genius happening in both genders, but there's less women writing scripts and out there looking for the job.
I love '30 Rock.' It's one of my favorite shows. It's certainly the gold standard of comedy writing.
I'd just love to sit at home, wake up at 10AM, go to my own office with my dog, and write a movie. I don't know if I'm capable of doing that though. I think I'll just end up playing Minecraft and self-destructing.
TV in all its ugliness can be a beautiful thing.
When I was a kid I never knew the difference between a sitcom and a drama. I just knew what my parents were watching and what was making them happy.
It was never my direct intention to do anything particularly medium-defying.
If somebody's cat happens to turn on the TV, my numbers can double. It's almost unrelated to what's really happening.
Audiences, as they get smaller, can intensify their relationship with the product, and so can the creative relationship with the people that you are serving. The good news is that, the more shows there are, the less the conglomerates have to gain by breaking the will of each individual creative.