Damon Lindelof
Damon Lindelof
Damon Laurence Lindelofis an American television writer, producer, and film screenwriter, most noted as the co-creator and showrunner of the television series Lost. He has written for and produced Crossing Jordanand wrote for Nash Bridges. Lindelof also co-wrote the science fiction films Cowboys & Aliens, Prometheus, Star Trek Into Darkness, and Tomorrowland. He co-created the TV series The Leftovers for HBO, adapted from the novel by Tom Perrotta...
NationalityAmerican
ProfessionTV Producer
Date of Birth24 April 1973
CityTeaneck, NJ
CountryUnited States of America
From my own internal fanboy perspective, there's nothing that I hate more than seeing a three minute trailer for a movie where I feel like it's shown me the entire movie.
The answers to those questions were a beginning instead of a payoff. And as a result of that, those answers are coming in the first three episodes of season two. Because they lay out the groundwork for what that entire season is about. Including the numbers.
What's in the hatch is so intense/cool/complicated that it actually takes three full episodes to fully understand it. Fortunately, these are the first three episodes of the show, so the wait is over!
We're lobbying ABC for when the show is on, it's on, and when it's off, it's off. So, we want to air it in three acts next year. You know, blocks of seven, seven and eight. But in order to do that, we have to roll the show out in October instead of September, and hopefully that will work out.
This show is an exercise in faith. Most of all, I'd like to thank you (the audience) for having faith in us, for inviting us into your homes, watching the show, supporting the show, believing in the show.
There can be things that are happening that are quote, phenomenal, but there's always a scientific answer to it.
Those who survived the explosion are separated from the rest of the group for the early part of the season.
Those who survived are separated for the first third of the season.
Basically, we had a two-hour meeting where we both came to the same exact solution to how to do the show, which was it had to have a lot of characters, the characters had to be really mysterious and the island itself had to be even more mysterious than they were.
My gravestone will say, 'Here Lies Damon Lindelof - Or Does He?'
If you're constantly hamstrung by worry that people aren't going to like it, you can't do your job.
I've always been into having stories told to me. I was a voracious reader, my father was also a teller of tales; and the kind of Baron Munchausen proxy of a tall tale was much more interesting than a true tale.
I make no distinction between writing and storytelling; I've always wanted to tell stories.
I place a higher value on work ethic than talent, because, in certain areas, you just need to cast, you need to cast actors with talent, you need to hire directors with talent, but I've worked with very talented people who have a poor work ethic, and the outcome is less desirable than people who are less talented and have an incredible work ethic.