Curtis Hanson
Curtis Hanson
Curtis Lee Hansonis an American film director, film producer and screenwriter. His directing work includes the psychological thriller The Hand That Rocks the Cradle, the neo-noir crime film L.A. Confidential, the comedy Wonder Boys, the hip hop drama 8 Mile, and the romantic comedy-drama In Her Shoes...
NationalityAmerican
ProfessionDirector
Date of Birth24 March 1945
CityReno, NV
CountryUnited States of America
beginning either hearing interested natural watching
What he had from the beginning is a natural charisma, ... a thing that makes you interested in watching him and hearing what comes out of his mouth. As frustrating as it is to all the wannabe actors out there, that's God-given. You either have it or you don't.
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The shoes are a great symbol of the conflict between the sisters. Haven't we all at one time or another wanted to be in someone else's shoes? To have their advantages, their good fortune.
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When you're dealing with someone like Shirley, it's a little insulting to ask her to come in for a meeting. But I wanted to meet her first and talk to her about the character, because there was a very big 'if' on it for me. Shirley is such a powerful presence, personality and talent, and she has used that power effectively over a long and rich career. But I wanted to know she would be able to put a damper on all of that and go to a very quiet place to play this character who is literally hiding from life, who has put a lid on everything because of her guilt, her fear and her unresolved issues. If Shirley could go to that kind of a place, and then blossom as her character's life broadens, I thought it would be very exciting.
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I think Shirley took it as a challenge and therefore was excited by it, because I think that's what makes her life exciting,
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With millions of people watching poker weekly on television, it was important to capture the authenticity of the game and its players. To that end, the poker tables in 'Lucky You' are primarily populated by poker players, not actors pretending to be poker players. Our stars trained for months in order to convincingly play side by side with top poker professionals cast in fictional roles.
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One of the reasons I wanted Toni to play the part was...she would put on the burden of weight, ... The weight of responsibility that someone feels who literally gave up her own childhood to take care of her sister.
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Shirley's his female counterpart. They're wild horses knocking against a fence post, trying to push and see how far their work can take them. I think being challenged as an actress keeps Shirley young.
emotion emotions feminine
Why does something that has emotion in it have to be the feminine product?
apply fact focus people relationships stories term women
The fact is that people have started to dismissively apply that term to stories that focus on women and their relationships,
men action he-man
We're not used to seeing movies, especially with physical action, when it isn't the man who comes in to save the day.
opportunity people
Put simply, there are many people who want to make movies and very few opportunities for them to do it.
taken unhappy nightmare
I had a checkered early career, for sure, with a lot of very unhappy experiences where pictures got taken away, re-cut, re-titled... all the nightmares one hears about.
unique film extraordinary
First of all, Sam Fuller left a group of extraordinary movies that are unique, that are "Fuller-esque," as one might say, which makes them stand apart from any other director's films.
important legacy he-left-me
On a personal note, a legacy he left me, aside from being a friend who was important to me on many levels, was that the decades I knew Sam [Fuller] happened to be the decades that were his least happy professionally.