Colm Toibin

Colm Toibin
Colm Tóibínis an Irish novelist, short story writer, essayist, playwright, journalist, critic and poet...
NationalityIrish
ProfessionNovelist
Date of Birth30 May 1955
CountryIreland
although books compared died elizabeth james parent people sexuality swear thomas time turned until
Between the time I was 16 until I was about 20, the books I read were by people like Thomas Mann, James Baldwin, Thom Gunn, Elizabeth Bishop. All gay, of course, although I swear I didn't know that at the time. Yet all of them, it turned out, had had a parent who died during their childhood. Sexuality is nothing compared to that.
began books english familiar half irish name novel period publishers sell turned twenty writes
My first novel was turned down by about twenty publishers over a period of two and a half years. Because my name is Irish and would not be familiar to English editors, one of them said: 'If she writes anything else, do let us know.' Slowly, very slowly, the books began to sell and be noticed.
baby book pride
When a book comes from the publisher and you see it for the first time... Of course it's not remotely like seeing a baby for the first time, but I can remember with each book what room I was in when I opened it. That would be excitement, though, I think. Not pride.
book gay men
The old Victorian laws against homosexuality were still on the statute books until the early 1990s. As a gay man living in Ireland, I and people like me found it easy to feel less than citizens.
book thinking offering
I think you can get a sort of intensity and an edginess offering nine stories in a book. Competing versions of things.
book important fourth
It is important to find a publisher and equally important not to be noticed until your third or fourth book.
real smart book
Roth Unbound is filled with intelligent readings and smart judgments. Because of the author's sympathy and sharp mind, it offers real insight into the creative process itself, and into Philip Roth's high calling as a great American artist. The book is, in some ways, a radical rereading of Roth's life and his work. It is impossible, by the end, not to feel a tender admiration for Roth as a novelist and indeed for Claudia Roth Pierpont as an empathetic and brilliant critic.
book compared cruelty disliked felt irish liked lived north open republic violence ways wrote
I lived in the Republic of Ireland. I wrote a book about the North but as an outsider. The hatreds there were not mine. I never felt them. I liked how open in most ways Catalan nationalism was, compared to Irish nationalism. I disliked the violence and cruelty in Ireland.
glamour interest listened sort
People's interest in glamour and clothes and nylon stockings and all those things were, when I was a little boy, the sort of world that I listened to.
ad bombing civil english exotic inviting ira middle saw signed time
When I was 19, I thought I wanted to be an English civil servant. It was the most exotic thing at the time - can you imagine, in the middle of the IRA bombing campaigns? I saw an ad inviting Irish applicants for an induction course, so I signed up.
absolutely although emotional influenced mean slightly sports
I'm slightly influenced by sport in that I like the idea of trying, like an athlete, to keep absolutely ready. That's an emotional thing, almost. I don't mean physically, although I play tennis. But you try to keep yourself ready.
believe cannot
I don't think we have a right to enjoy our neuroses; in fact, I believe that we have a duty not to. But we cannot walk away from ourselves. Who else is there to become?
characters describe using
Describe character using dialogue. Describe character using what the characters see or do or think, but not what they had done or where they had been.
afraid allowing audience bring comic distance good laughing moments next order particular sort time tragic trust
The next time I write a play - in order to get audience trust for a particular sort of tragic line, I'll try to bring the audience a good distance before that. Part of that is allowing comic moments to occur. I had been afraid of that - that once the audience started laughing in the play, they would never stop.