Colin Farrell
Colin Farrell
Colin James Farrell is an Irish actor. He first appeared on the BBC's TV drama Ballykissangel in 1998, made his film debut in the Tim Roth-directed drama The War Zone a year later and was discovered by Hollywood when Joel Schumacher cast him in the lead in his war drama Tigerland. He then starred in Schumacher's psychological thriller Phone Boothand the American thrillers S.W.A.T. and The Recruit, establishing his international box-office appeal. During that time, he also appeared in Steven...
NationalityIrish
ProfessionMovie Actor
Date of Birth31 May 1976
CityCastleknock, Ireland
CountryIreland
character emotional government
Audiences will see what they want to see. Some will come out, hopefully enjoying two hours of action. Some people will find themselves gravitating towards the emotional dilemma that the characters find themselves in. Other people will see that there is some layer of subversions to the storytelling aspect of poking a finger of judgment at certain governments to the idea of foreign invasion, others maybe false pretenses.
character reality hardship
I'm not going to experience the reality of hardship that sometimes my characters live in. I'm very cautious about that.
distance character thinking
You have a certain objectivity, as a member of the audience, and you can come away maybe being provoked into a certain discourse or a certain arena of questioning, regarding how you would deal with things that your character has to deal with. Whereas when you're doing a film, once you start asking, "What would I do?," you're getting the distance greater between yourself and the character, or you're bringing the character to you, which I think is self-serving, in the wrong way. The idea is to bring yourself to the character.
drama character preparation
It doesn't matter if it's a drama or a comedy, the need to get the emotion and the character arc across is way harder in something like this so was more of a preparation.
character independent emotional
At the end of the day, it's all one version of telling a story. I treated this as if it was a two million dollar independent film. I did a lot more physical work than I'd probably have to do for a two million dollar independent film with four months of training and stuff. But as far as the character's psychology or emotional life goes, I treat it just the same.
pain character melancholy
Pain seems to be easier, or melancholy seems to be easier to portray in a character. I don't know if that's because I'm a human being or because I'm an Irishman or both.
character gun car
Anything that's different from your own realm of experience as a human being, whether it's driving a car or a boat, or using guns, anything that separates you from yourself and leads you more towards this character's existence is a big help.
horse children honesty
I love working with horses. People say you shouldn't work with animals and children; that's wrong. You must only work with children, because you only work eight hours a day and I love working with animals. Animals have an honesty that human beings reach to find in their lives at the best of times.
morning fun reading
Most of actor's work is done at home, in your hotel room, in the wee hours of the morning thinking and reading and feeling, walking around and listening to music. It really just because an internal exercise, whatever skills. It's great if you have to learn something new for a gig and designing a character physically is always fun but it does become an internal exercise in separating the wheat from the chaff.
teacher piano hints
I have a piano in my living room that I mess around on a little bit and when I asked Len [Wiseman] if I could find a piece of music, I went through a **** load of classical music to find something that I felt had a certain urgency to it, but also with a hint of melancholia and maybe a sense of longing. I found that which is public domain and I had a piano teacher to go through it with me.
home kids thinking
I think there were six or eight weeks between 'Total Recall' and 'Seven Psychopaths.' I was at home in Los Angeles for 'Seven Psychopaths,' so it was the first time I had worked from my house here so it was great to be around the kids.
heart ideas mind
It as an argument between the world of emotion versus the world of the intellect. It's the idea that you can suppress a person's mind and a person's experiences, mentally, psychologically and intellectually, but you can't completely quiet them to the point of dormancy and the emotionally life a person. You still have the heart and what the heart remembers and what the heart experiences. And even that isn't important that that comes across.
mean reality government
I mean you can go wherever you want with it really. No matter what story you're telling you're always representing some reality. You are always representing human beings, their fears, their shortcomings, their braveries, their doubts, their loves, their abilities, their brilliance and those things inevitably lead to bigger political systems, foreign policy and crime and religion. It's an action film. We are not taking a stance about big government.
perspective trying looks
Hollywood. It lacks originality. Remake sucks.' But I had to look deeper into it from my own perspective. We are not trying to compete with the original at all and that's what allowed me to pull the trigger without any hesitancy .