Christopher Moore
Christopher Moore
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As a teacher of fourth-graders in a public school, where corporal punishement was not allowed, she had years of violence stored up and was, truth be told, sort of enjoying letting it out on Kona, who she felt could have been the poster child for the failure of public education.
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You can't teach someone to be funny, but you can teach comic timing. If you listen to a good comic, you can learn how to put it on a page.
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When I teach seminars, I tell people, 'Your stuff has to look like something that's out there, because otherwise nobody will take a chance on you.'
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My mother is very active and involved with the tribe, so I can't help but be involved, too. I go back when I can to teach music classes with middle-school students and hopefully serve as a role model.
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The African-American Freedom Trail: From Slavery to Freedom in New York City
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I kind of dislike 'For Whom the Bell Tolls,' but most of Hemingway in general, mainly because his stylistic shenanigans ruined so many young writers of my generation who tried to imitate him. I think, for his time, he moved fiction to a different level stylistically, or at least added to the dialogue, but in our time, he's annoying.
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What this means is, if someone from another state is looking for the nearest Joslin Diabetes Center for care, they can come to Las Vegas. This is a major benefit to the community because it puts diabetes in the spotlight here, and people will get better care because of that spotlight no matter where they receive treatment.
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There's one painting that historically would have been better, ... because it was painted at the beginning of the Impressionist movement, and the one we're using is painted later. In the script they say, 'This is a very important painting because it was painted at start of the Impressionists,' and that's not really true. It was painted a few years later. But they selected the painting for purely visual reasons -- that they would capture better on camera, that it was more appealing, that it would catch the eye better.
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As an author, you spend a lot of time by yourself in a room making clicky noises. It gets pretty insulated. You realize pretty early on in your career that even if this goes well, you could spend all your life in a room alone. Unless you pick projects that are going to get you out doing things, you're not going to actually live your life.
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It was a catastrophe, of course. We had no clients, no nothing. Nobody understood the idea of doing reproductions.
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The Sousa era was also the same time as the boarding-school era when the Oneidas were shipped off (to be educated in white ways, as opposed to the tribal ways). They learned the Sousa music and took it back with them when they were done with boarding school.
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I don't expect you to have any leniency or even believe a word I say. I have to stop lying to myself.
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I did the one with the big butt. They said they want something that looks like a Renoir with the face of a 19th-century painting, so we had to do a grotesque painting. It was done in four days.
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One thing that's really delightful is my books tend to attract people who are funny, so I get the benefit of people writing me with things that crack me up.