Christopher Moore
Christopher Moore
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There's one painting that historically would have been better, ... because it was painted at the beginning of the Impressionist movement, and the one we're using is painted later. In the script they say, 'This is a very important painting because it was painted at start of the Impressionists,' and that's not really true. It was painted a few years later. But they selected the painting for purely visual reasons -- that they would capture better on camera, that it was more appealing, that it would catch the eye better.
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We know there's going to be nothing but pain, but we go back again and again.
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Little-boy love...the cleanest pain I've ever known. Love without desire, conditions, or limits - a pure and radiant glow in the heart that could make me giddy and sad and glorious all at once. Where does it go? Why, in all their experiments, did the Magi never try to capture that purity in a bottle? Perhaps they couldn't.
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And an inky-colored despair of rejection enveloped me like the black tortilla of depression around a pain burrito.
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In the movie, the painting is supposed to be worth $100 million. No painting is worth $100 million. But for the movie, $100 million is a number that any person can understand as expensive. If you say $50 million nowadays, it's not enough.
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When you're telling stories, you are actually trying to illuminate some portion of the truth in an artful way. The story may immediately seem to be a lie, but it's like an impressionistic painting - you see the light and the color better than you would with a photo-realistic piece.
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Collectors say, 'I hate reproductions. It's awful. Why would anybody do that?,' ... That's what they say officially. But behind the scenes they use our copies. On the walls they have our copies. All their paintings are in vaults.
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The African-American Freedom Trail: From Slavery to Freedom in New York City
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I kind of dislike 'For Whom the Bell Tolls,' but most of Hemingway in general, mainly because his stylistic shenanigans ruined so many young writers of my generation who tried to imitate him. I think, for his time, he moved fiction to a different level stylistically, or at least added to the dialogue, but in our time, he's annoying.
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What this means is, if someone from another state is looking for the nearest Joslin Diabetes Center for care, they can come to Las Vegas. This is a major benefit to the community because it puts diabetes in the spotlight here, and people will get better care because of that spotlight no matter where they receive treatment.
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As an author, you spend a lot of time by yourself in a room making clicky noises. It gets pretty insulated. You realize pretty early on in your career that even if this goes well, you could spend all your life in a room alone. Unless you pick projects that are going to get you out doing things, you're not going to actually live your life.
nobody understood
It was a catastrophe, of course. We had no clients, no nothing. Nobody understood the idea of doing reproductions.
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The Sousa era was also the same time as the boarding-school era when the Oneidas were shipped off (to be educated in white ways, as opposed to the tribal ways). They learned the Sousa music and took it back with them when they were done with boarding school.
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I don't expect you to have any leniency or even believe a word I say. I have to stop lying to myself.