Chris Van Allsburg
Chris Van Allsburg
Chris Van Allsburgis an American illustrator and writer of children's books. He has won two Caldecott Medals for U.S. picture book illustration, for Jumanjiand The Polar Express, both of which he also wrote; both were later adapted as successful motion pictures. He was also a Caldecott runner-up in 1980 for The Garden of Abdul Gasazi. For his contribution as a children's illustrator he was 1986 U.S. nominee for the biennial, international Hans Christian Andersen Award, the highest international recognition for...
NationalityAmerican
ProfessionAuthor
Date of Birth18 June 1949
CountryUnited States of America
The Dick, Jane, and Spot primers have gone to that bookshelf in the sky. I have, in some ways, a tender feeling toward them, so I think it's for the best.
There must be something to think about at the end.
I think most people agree there is a component of skill in art making; you have to learn grammar before you learn how to write.
I don't think ordinary things are very interesting, so I try to imagine a world that is less ordinary.
Some artists claim praise is irrelevant in measuring the success of art, but I think it's quite relevant. Besides, it makes me feel great
What kids are exposed to on television is more frightening and horrifying than what they see in my books.
I am never really surprised at the way my books take shape. They are just not as perfect as I'd like them to be.
Even the most complicated stories start with a very simple premise.
As the years went by I became a writer and illustrator, although exclusively of fantasies.
I love the idea of a tiny window between the back stoop and the pantry, where the milkman would pass through the cheese. But of course, there is no milkman anymore. So somebody coming by the house and seeing the window would say, 'Oh, that must be original, because that's where the milkman passed the cheese through to the pantry.'
I think it's difficult to forget things that are unresolved.
I have very positive memories of reading biographies of unusual Americans as a child.
The whole idea of being mesmerized and not in control of your own actions is fascinating and a little spooky. I remember hearing about someone who'd gone to a magic act, and a person in the audience had become hypnotized by observing too closely what magician was doing on stage, and thought it was spooky to lose your consciousness that way.
The crudest thing I've done as a teacher was to require students to write a national anthem for their country and sing it themselves.