Chimamanda Ngozi Adichie

Chimamanda Ngozi Adichie
Chimamanda Ngozi Adichieis a Nigerian novelist, nonfiction writer and short story writer. A MacArthur Genius Grant recipient, Adichie has been called "the most prominent" of a "procession of critically acclaimed young anglophone authors is succeeding in attracting a new generation of readers to African literature"...
NationalityNigerian
ProfessionWriter
Date of Birth15 September 1977
CountryNigeria
african came expected matter realized subject turned united whenever whether
I realized that I was African when I came to the United States. Whenever Africa came up in my college classes, everyone turned to me. It didn't matter whether the subject was Namibia or Egypt; I was expected to know, to explain.
babysitter became certain female heard high looking meant places realised somebody taken time turned worked
I look young. I heard this said so often that it became irritating. I once worked as a babysitter for a woman who, the first time we met, said she didn't want somebody in high school. I was 22. Later, I realised that in certain places being female and looking 'young' meant it was more difficult to be taken seriously, so I turned to make-up.
real culture roles
Perhaps it is time to debate culture. The common story is that in real African culture, before it was tainted by the West, gender roles were rigid and women were contentedly oppressed.
real writing stories
I write from real life. I am an unrepentant eavesdropper and a collector of stories. I record bits of overheard dialogue.
writing reality thinking
I think human beings exist in a social world. I write realistic fiction, and so it isn't that surprising that the social realities of their existence would be part of the story.
reality poverty culture
I had consumed a lot of American culture, but I was not quite prepared for the reality of American poverty.
children real romantic-love
He was already looking at their relationship through the lens of the past tense. It puzzled her, the ability of romantic love to mutate, how quickly a loved one could become a stranger. Where did the love go? Perhaps real love was familial, somehow, linked to blood, since love for children did not die as romantic love did.
real people tragedy
The real tragedy of our postcolonial world is not that the majority of people had no say in whether or not they wanted this new world; rather, it is that the majority have not been given the tools to negotiate this new world.
girl real people
All over the world, girls are raised to be make themselves likeable, to twist themselves into shapes that suit other people. Please do not twist yourself into shapes to please. Don't do it. If someone likes that version of you, that version of you that is false and holds back, then they actually just like that twisted shape, and not you. And the world is such a gloriously multifaceted, diverse place that there are people in the world who will like you, the real you, as you are.
drawn good realism social sweetness
'No Sweetness Here' is the kind of old-fashioned social realism I have always been drawn to in fiction, and it does what I think all good literature should: It entertains you.
consider nigerian sort spends time
I sort of consider myself a Nigerian who spends a lot of time in the U.S.
considered discovered exotic games mysteries played simply treasures understand
I would come, many years later, to understand why 'To Kill A Mockingbird' is considered 'an important novel', but when I first read it at 11, I was simply absorbed by the way it evoked the mysteries of childhood, of treasures discovered in trees, and games played with an exotic summer friend.
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Nigerian politics has been, since the military dictatorships, largely non-ideological. Rather than a battle of ideas, it is about who can pump in the most money and buy the most access.
african common debate gender perhaps rigid roles tainted time women
Perhaps it is time to debate culture. The common story is that in 'real' African culture, before it was tainted by the West, gender roles were rigid and women were contentedly oppressed.