Chet Faker

Chet Faker
Nicholas James Murphy, better known by his stage name Chet Faker, is an Australian electronica musician. In 2012 he issued an extended play, Thinking in Textures and signed to Downtown Records in the United States. In October 2012 he won Breakthrough Artist of the Year and Thinking in Textures won Best Independent Single/EP at the Australian Independent Records Awards...
NationalityAustralian
ProfessionDJ
Date of Birth23 June 1988
CityMelbourne, Australia
CountryAustralia
I second guess everything I do musically, and I often could spend hours on, say, one snare sound.
Rather than trying to create an audience, just try and create music that feels good to you.
Sometimes it feels like it's show after show after show - like it's 'Groundhog Day,' and you feel like you're lost in the system.
That's what helps me keep playing: the idea of giving something to others. Because personally, I've had my fill.
My biggest enemy for the longest time was my head. When I first became successful, it made me anxious because I was overthinking everything, and you hear so many 'fail' stories.
Most of my inspiration comes from mistakes, so every time I make a massive mistake, that usually affects me so much that I have to process that via song.
I studied audio engineering at university. The background I am from, music was never seen as a viable career; it was always a hobby.
I'd wear all APC if I could afford it and wasn't embarrassing to go head-to-toe in one brand.
I hate fame. There's this assumption that everyone wants it - that by being a musician, I've signed up for it at some point. But personally, what I signed up for is sharing my music. I've always said I'd rather have four No. 10 songs than one No. 1 hit.
It's like my parents' musical tastes are the mother and father of my music. It's their fault for making me so emotional and in tune with my emotions!
It was definitely hard when I first started, and by no means do I consider my live show to be where I want it to be; it will develop step by step for the rest of my life.
Ultimately, I love making music more than anything. And I want to do that for ever. I don't want be on the top. I just want to keep doing what I'm doing.
I don't start my show at 200%. I like to go in slow, warm up the crowd, and bring them along with me. To hear everyone singing along is so great.
I remember a concert for a visiting girls school, and that was the first time I ever sang - it was always about girls - that was the main thing. But somewhere along the line, it became a cathartic thing.