Charles Stross
Charles Stross
Charles David George "Charlie" Strossis an award-winning British writer of science fiction, Lovecraftian horror and fantasy...
NationalityBritish
ProfessionWriter
Date of Birth18 October 1964
years needs answers
Any replacement to the current copyright position (life plus 70 years) needs to have an answer lined up for this, and similar, messy edge cases.
believe light needs
I believe modern SF needs to at least be aware of the singularity, if only so that it can dismiss it intelligently (or work around it). But I suspect the singularity is like faster-than-light travel for the IT generation. We may hope for it, and the rules don't forbid it, but we don't know how to do it yet (and it may not be possible).
bring broaden condition definition doomed fiction human insight key needs remain science study
I think that if there's one key insight science can bring to fiction, it's that fiction - the study of the human condition - needs to broaden its definition of the human condition. Because the human condition isn't immutable and doomed to remain uniform forever.
ashes attitude british context engage fearful future less open optimism pessimism quite science since social uk view whereas
The social context of the UK is more open to the future, the old pessimism has been scrubbed and there's a view that you can engage with the future again. There is quite a lot of optimism in British science fiction, much less of the sackcloth and ashes and 'we're all going to die' attitude that it used to have, whereas the Americans have become more entrenched and fearful since 2001.
adapted aerospace boldly brick fiction hit ill outer profoundly science space until wall
Science fiction was rocket-mad for about 40 years until aerospace hit a brick wall about 1970. I would not write off space colonisation or exploration completely, but we are profoundly ill adapted for going boldly into outer space.
attractive crude explain fiction lived science strong
Science fiction has traditionally been economically naive, with a strong libertarian streak, which I think is like a crude Leninism. That's attractive because it could be used to explain everything, and if only we lived by its tenets, everything would be perfect.
best effects hatch maybe possibly pubs
Pubs are, disturbingly, where I hatch most of my best idea-sculptures: possibly it's something to do with the disinhibiting effects of alcohol, or maybe it's just having company to yack at.
closer compact north relatively
Britain is relatively compact and much closer to the borders of the U.S.S.R. than anywhere in North America.
multiple published
My books are published by Hachette. My books have been blacklisted and blocked on Amazon on multiple occasions.
foreground humour matching principle response tend work
I tend to work on the principle that much humour relies on cognitive dissonance - on the foreground not matching the background, on the protagonist's response to a situation being inappropriate, and so on.
children computer exploring human information interested
I write more for the children of the computer revolution, who are also interested in speculation and exploring the human condition, but approach it from an information perspective.
conclusion guy historical periods since time
I am a lazy, cynical, middle-aged guy who has long since come to the conclusion that most historical periods really sucked, for most people, most of the time.
heads reasonable
I don't do villains often enough. There are two approaches: give them sympathetic, reasonable motivations for doing the most unspeakable things, or get inside heads that are interestingly broken.
art ease entirely fiction form genre human ideas literary literature primarily pure rather science tool writers
Many science fiction writers are literary autodidacts who focus on the genre primarily as a literature of ideas rather than as a pure art form or a tool for the introspective examination of the human condition. I'm not entirely at ease with that self-description.