Catherine Hardwicke
Catherine Hardwicke
Catherine HardwickeOctober 21, 1955) is an American film director, production designer and screenwriter. Her works include the Academy Award-nominated independent film Thirteen, which she co-wrote with Nikki Reed, the film's co-star, the Biblically-themed The Nativity Story, the vampire film Twilight, the werewolf film Red Riding Hood, and the classic skateboarding film Lords of Dogtown. The opening weekend of Twilight was the biggest opening ever for a female director...
NationalityAmerican
ProfessionDirector
Date of Birth21 October 1955
CityCameron, TX
CountryUnited States of America
Sometimes, a scene goes on too long and, with this being a suspense story and murder mystery that you're trying to discover through her heightened paranoia, you don't want scenes that take you on a tangent. Sometimes, you love those scenes, but you know that it's better not to be in the overall film. So, I'm not sad that they're not in the main movie, but I do think it's fun for people to get to watch them, if they want to.
It's interesting for me to do the commentary with the actors because, as a director, you're so in your own world that you see it from your perspective, your issues and what you were trying to do, and then it's really very fun to hear their perspective on how it was to do a particular scene or how they felt, and sometimes, I didn't even know that, at the time.
People love to talk, so let them have fun talking,
People love to talk, so let them have fun talking, I think they have an interesting, wonderful connection, so you knowWhat does dating mean? I don't know. I couldn't say. People love to talk, so let them have fun talking.
When I read the 'Twilight' book, I didn't see it as fantasy. I saw it as a love story.
I've worked on really big budget movies as a designer - 'Vanilla Sky,' 'Three Kings;' I've been in that world, and you can just see people get nervous.
The script for 'Thirteen' is tight, and not because of the now-famous six day writing spree, but more because it started out as 15 pages longer.
Everything is so aggressively marketed at every age: if you're not in Baby Gap, you're not cool. That's how everybody's grown up, so they don't even know it could be another way.
Sometimes, you don't realize that something is actually a sidetrack for the story, or it takes the tension out of a scene.
Every day I'm intrigued and sometimes outraged by things that no one talks about. Current is a chance to be heard, and send think-bombs out into the world.
Every filmmaker's just going to keep trying to make it the best you can make it: make it as potent and interesting and entertaining and exciting and tough and sexy as you can.
You don't watch 'A Beautiful Mind' and say, 'This is how every mathematician is.'
When you're in a creative flow with somebody - and I had this back in architecture school - you're just so passionate about what you're doing, and if that other person is just as passionate, you'll be madly in love with them. It's just that thrill of creating.
I still like the idea of having an intimate experience with a movie, but I love watching stuff on my iPad. It's close, and I feel like I'm a part of it, so maybe that makes more sense in some cases.