Carlos Ruiz Zafon
Carlos Ruiz Zafon
Carlos Ruiz Zafón Spanish: is a Spanish novelist...
NationalitySpanish
ProfessionNovelist
Date of Birth25 September 1964
CountrySpain
character soul answers
His soul is in his stories. I once asked him who inspired him to create his characters, and his answer was no one. That all his characters were himself.
strong real character
As readers, we want not only a strong story, but also characters we can relate to, characters that feel real. We have to find something of ourselves in them. Each character, even those only there to serve the mechanics of the plot, should have a number of layers. The entire world you are stepping into as a reader must feel real. It must have resonance, you must be able to touch the light; smell the smells.
dream believe character
Everything is a tale, Martin. What we believe, what we know, what we remember, even what we dream. Everything is a story, a narrative, a sequence of events with characters communicating an emotional content. We only accept as true what can be narrated.
character writing magic
I was always fascinated by the fact that you could take paper and ink and create worlds, images, characters. It seemed like magic.
hate character race
It is difficult to hate an idea. That requires a certain intellectual discipline and a slightly obsessive, sick mind. There aren’t too many of those. It’s much easier to hate someone with a recognizable face whom we can blame for everything that makes us feel uncomfortable. It doesn’t have to be an individual character. It could be a nation, a race, a group. . .anything.
character thinking fiction
The only way you can truly get to know an author is through the trail of ink he leaves behind him. The person you think you see is only an empty character: truth is always hidden in fiction.
entire rains size spend thunder time year
I spend a lot of time in L.A., and when it rains there you get the entire rainfall for the year in two days, raindrops the size of mangoes. And in Barcelona, the Mediterranean storms come up from the sea, thunder and lightning; it's like the end of the world.
people
I realised that I had always been writing things that other people wanted me to write and not what I really wanted to write, so I felt like I was losing my way.
angeles came fantastic liked los mind places
I always had this childhood image in the back of my mind of this fantastic place where all the things I liked came from; Orson Welles, jazz, all that stuff. Los Angeles is one of those places where somebodies become nobodies and nobodies become somebody.
complex consider demands devices elements enhance forces infinitely influenced narrative regarding work
My work as a screenwriter has influenced my fiction. Writing screenplays forces you to consider many elements regarding story structure and other narrative devices that can be used to enhance the infinitely more complex demands of a novel.
industry
With 'The Angel's Game', there was a lot of pressure from the expectations - expectations from the book industry and from readers; it's natural.
people
I've always ignored the labels people put on things.
critical explore paying sorts voracious
I'm a voracious reader, and I like to explore all sorts of writing without prejudice and without paying any attention to labels, conventions or silly critical fads.
cakes creature curious finger freak history manhattan paris stuff technology urban weird
I am a curious creature and put my finger in as many cakes as I can: history, film, technology, etc. I'm also a freak for urban history, particularly Barcelona, Paris and New York. I know more weird stuff about 19th-century Manhattan than is probably healthy.