C. S. Lewis
C. S. Lewis
Clive Staples Lewiswas a British novelist, poet, academic, medievalist, literary critic, essayist, lay theologian, broadcaster, lecturer, and Christian apologist. He held academic positions at both Oxford University, 1925–54, and Cambridge University, 1954–63. He is best known for his fictional work, especially The Screwtape Letters, The Chronicles of Narnia, and The Space Trilogy, and for his non-fiction Christian apologetics, such as Mere Christianity, Miracles, and The Problem of Pain...
NationalityIrish
ProfessionAuthor
Date of Birth29 November 1898
CountryIreland
The story itself should force its moral upon you. You find out what the moral is by writing the story.
I would say if a man is going to write on chemistry, he learns chemistry. The same is true of Christianity. But to speak of the craft itself, I would not know how to advise a man how to write. It is a matter of talent and interest. I believe he must be strongly moved if he is to become a writer. Writing is like a 'lust,' or like 'scratching when you itch.' Writing comes as a result of a very strong impulse, and when it does come, I for one must get it out.
When you give up a bit of work don't (unless it is hopelessly bad) throw it away. Put it in a drawer. It may come in useful later. Much of my best work, or what I think my best, is the re-writing of things begun and abandoned years earlier.
Even when I feared and detested Christianity, I was struck by its essential unity, which, in spite of its divisions, it has never lost. I trembled on recognizing the same unmistakable aroma coming from the writings of Dante and Bunyan, Thomas Aquinas and William Law.
God lends us a little of His reasoning powers and that is how we think: He puts a little of His love into us and that is how we love one another. When you teach a child writing, you hold its hand while it forms the letters: that is, it forms the letters because you are forming them. We love and reason because God loves and reasons and holds our hand while we do it.
Of course all children's literature is not fantastic, so all fantastic books need not be children's books. It is still possible, even in an age so ferociously anti-romantic as our own, to write fantastic stories for adults: though you will usually need to have made a name in some more fashionable kind of literature before anyone will publish them.
Whenever you are fed up with life, start writing: ink is the great cure for all human ills, as I have found out long ago.
The only moral that is of any value is that which arises inevitably from the whole cast of the author's mind.
I have at last come to the end of the Faerie Queene: and though I say "at last", I almost wish he had lived to write six books more as he had hoped to do — so much have I enjoyed it.
First, I do not sit down at my desk to put into verse something that is already clear in my mind. If it were clear in my mind, I should have no incentive or need to write about it. We do not write in order to be understood; we write in order to understand.
Write about what really interests you, whether it is real things or imaginary things, and nothing else.
You can make anything by writing.
I never exactly made a book. It's rather like taking dictation. I was given things to say.
Don't use words too big for the subject. Don't say 'infinitely' when you mean 'very'; otherwise you'll have no word left when you want to talk about something really infinite.