Brit Marling

Brit Marling
Brit Heyworth Marlingis an American actress, screenwriter and film producer. She first gained recognition in 2004 with the documentary Boxers and Ballerinas and later became a Sundance star with the Searchlight movies Sound of My Voice, Another Earthand The Eastwhich she co-wrote in addition to playing the lead role...
NationalityAmerican
ProfessionMovie Actress
Date of Birth7 August 1983
CityChicago, IL
CountryUnited States of America
I think I am looking as an actor to find ways to push myself into places I haven't been before as a human being.
A couple of compromises in a row and suddenly you're very far way from the person you thought you were.
I think there is a general unrest or curiosity about what a human future is going to be like, and whether the way we're living is even sustainable.
When I was a kid and going to the movies I was overwhelmed by the way women were always second-class citizens in the film.
Science fiction has a way of letting you talk about where we are in the world and letting you be a bit of a pop philosopher without being didactic.
I never want to repeat the same thing. I always want it to be different from what I've done, and to be not quite sure whether or not I can pull it off, until I hopefully do.
I feel like, when the audience connects with something, they enjoy the experience so much that they want other people to go have it. They're like, "Don't talk about it. Don't tell. Just go!" It's a nice feeling to have people coming around it that way, protecting the ideas in it, so that everyone can see it for themselves.
I think you get to see, through the different cult members, why people are attracted to a group like this. Everyone is there for a different reason and from a different background. That was part of what was interesting for us, in researching cults and exploring it. A lot of this happens in California.
It seems to be this hot-bed for these ideas and bringing these groups together. You find that the one thing that everybody has in common, whether they're a teenager who has run away from his parents, or a divorcee who lost her husband, is that they all have in common this feeling of searching for a meaning in their lives.
When you come out to L.A. to make movies or to do this kind of work, everybody is coming out on their own and you leave your tribe behind. Then, it's a question of, that was your tribe by blood, and now, what is the tribe that you're making by choice or by what you think is important? I think we were having that experience, so somehow the cult world seemed really compelling.
But, it has something to do with having belief in a human future and what that human future is. What is the future of humanity? How does this whole experiment not self-destruct with the environment and everything else going on?
Once you play with these scenes and you're outlining it, again and again, and telling each other the narrative, and telling it to people you know, trying to make sure that the mathematics of the story work, you feel that those are in place, and the actual writing and final draft doesn't take as long.
Because we're watching so many movies and are consumed by so many stories, science fiction lets you do something a bit fresh and that hasn't been seen before.
One of my favorite stories growing up was A Wrinkle in Time. I loved that book. I still remember the image, so strongly, of all the kids coming out of their house at the same time, they're all bouncing a ball at the same time, and they all go back in at the same time. A Wrinkle in Time moved me deeply.