Bret Easton Ellis
Bret Easton Ellis
Bret Easton Ellisis an American novelist, screenwriter, and short story writer. His works have been translated into 27 languages. He was at first regarded as one of the so-called literary Brat Pack, which also included Tama Janowitz and Jay McInerney. He is a self-proclaimed satirist, whose trademark technique, as a writer, is the expression of extreme acts and opinions in an affectless style. Ellis employs a technique of linking novels with common, recurring characters...
NationalityAmerican
ProfessionAuthor
Date of Birth7 March 1964
CountryUnited States of America
No one is drawn to writing about being happy or feelings of joy.
If I want to write a movie, I'll write a screenplay, but if I have an idea for a book, it's something that I think can only be done novelistically.
I'm not a big believer in disciplined writers. What does discipline mean? The writer who forces himself to sit down and write for seven hours every day might be wasting those seven hours if he's not in the mood and doesn't feel the juice. I don't think discipline equals creativity.
I write books to relieve myself of pain. That's the prime motivator to write. Period.
You do not write a novel for praise, or thinking of your audience. You write for yourself; you work out between you and your pen the things that intrigue you
I don't know why I write what I write.
I think the books are the books. They were conceived as books. They weren't conceived as movies. When I write scripts, that's an idea and a situation that I think is a really good idea for a movie. When I'm writing a book, I'm not thinking, "Oh, this would be a great movie." This would be a very interesting book. And I think the books are things that cannot really be adapted into another medium.
Writing a novel that works is an extremely difficult thing to do. It requires a level of skill and dedication that always surprises me.
I learned that you really don't have any control as a writer. Waah, waah, waah. Big deal. Unless you're the director on the movie, or putting up the money for the movie, you really don't have a lot of control. As someone who's just writing scripts, you just kind of have to shrug. I have no problems or issues with screenwriting in general. It is what it is.
Life is like a typographical error: we're constantly writing and rewriting things over each other.
There’s no grand plan. All I know is that I write the books I want to write. All that other stuff is meaningless to me.
Writing a novel is not method acting and I find it easy to step out of it at cocktail hour.
Writing fiction is an act of imagination and fantasizing, and it's not relating in prose what you've been doing for the last two or three years.
You really write the books you want to write. You can't take into consideration anything that anybody has said about you in the past, or what they'll say about you in the future.