Bill Watterson

Bill Watterson
William Boyd "Bill" Watterson IIis an American cartoonist and the author of the comic strip Calvin and Hobbes, which was syndicated from 1985 to 1995. Watterson stopped drawing Calvin and Hobbes at the end of 1995 with a short statement to newspaper editors and his readers that he felt he had achieved all he could in the medium. Watterson is known for his negative views on licensing and comic syndication and his move back into private life after he stopped...
NationalityAmerican
ProfessionCartoonist
Date of Birth5 July 1958
CountryUnited States of America
I'd like to have the opportunity to draw this strip for years and see where it goes. It's sort of a scary thing now to imagine; these cartoonists who've been drawing a strip for twenty years. I can't imagine coming up with that much material. If I just take it day by day, though, it's a lot of fun, and I do think I have a long way to go before I've exhausted the possibilities.
I hate to subject it to too much analysis, but one thing I have fun with is the rarity of things being shown from an adult's perspective. When Hobbes is a stuffed toy in one panel and alive in the next, I'm juxtaposing the ""grown-up"" version of reality with Calvin's version, and inviting the reader to decide which is truer. Most of the time, the strip is drawn simply from Calvin's perspective, and Hobbes is as real as anyone.
Too often cartoonists just look at other cartoonists and, after a lot of inbreeding, everyone has the same funny look. The challenge of drawing is that there is no one right way to visually describe something. It's a good thing to confront your limitations and preconceptions every so often.
The writing doesn't distract me while I'm drawing and vice versa. I can devote my full attention to each.
If you're a painter, it's simply taken for granted that you'll spend a lot of time in museums studying great paintings, but if you're a cartoonist, it used to be very hard to see an original cartoon drawing.
I write separately from the inking up. I'm sure this varies from cartoonist to cartoonist; I find that the writing is the hard part and the drawing is the fun part.
When I get to the drawing, I really enjoy taking a big chunk of time and working on the drawing and nothing else. That allows me to make sure that I'm really challenging the art, making each picture as interesting as I can.
You should stick with what you enjoy, what you find funny -- that's the humor that will be the strongest, and that will transmit itself. Rather then trying to find out what the latest trend is, you should draw what is personally interesting.
(W)hen I stopped understanding math and science, my choice was made.
The timber wolves will be our friends.We'll stay up late and howl,At the moon, till nighttime ends,Before going on the prowl.
I used to make original snowmen, but it was time consuming, hard work. So I said, heck, this is crazy! Now I crank out crude imitations of what's already popular! It takes no time or thought, and most people don't care about the difference, anyway! And what good is originality if you can't crank it out?
The whole pleasure for me is having the opportunity to do a comic strip for a living, and now that I've finally got that I'm not going to give it away. . . . Any time somebody else has their hand in the ink it's changing the product, and I enjoy the responsibility for this product. I'm willing to take the blame if the strip goes down the drain, and I want the credit if it succeeds. So long as it has my name on it, I want it to be mine.
Enemy fighters at two o'clock!Roger. What should I do until then?
Enemy fighters at two o'clock! Roger. What should I do until then?