Bill Dixon

Bill Dixon
Bill Dixonwas an American musician, composer, visual artist, and educator. Dixon was one of the seminal figures in the free jazz movement. He played the trumpet, flugelhorn, and piano, often using electronic delay and reverberation as part of his trumpet playing...
ProfessionComposer
Date of Birth5 October 1925
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The bass provides a sort of liquid foundational formation that does not gravitationally tie you down. It is good at revealing and highlighting a certain harmonic pinpoint when one is either being looked for or needed.
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It went pretty good. They seemed more than willing to try to work with the neighborhood to accommodate everybody.
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We're at bare bone now. There is no fat here, ... There has never been any fat here.
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That then gives us two areas of musical thought: pop music and elitist music. Isn't there room for a special music that is what it is simply because that is the way that things are? There is always going to be different forms of music. I do not think we should put down rap music and things like that. It is not what I want to play, but I don't understand why all these forms can't co-exist.
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If, when making reference to a larger musical grouping, you say orchestra, you can readily expect that they will seek to correct you and let you know that it's really a big band. Continued insistence over the years has only served to make those people think you are being pedantic.
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He gave so much of his time. He made three or four trips out here, a week at a time from January to March. He was extremely popular wherever we put him.
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If musicians don't do any music, then there isn't any music. Musicians are very tricky and can be quite elusive.
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I am not interested in petty gossip; I am not interested in who sells the most records and the politicizing of economics that makes that possible. I am not interested in a body politic of the largely uninformed who attempt to politically designate certain people as deserving of wider recognition.
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The Canadians, by the paucity of invitations that have been extended to me to do things there, have obviously never been that enamored with my work.
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If you think about it, $100,000 in terms of a recording is not a lot of money. For musicians who are cranking out a lot of this uninteresting commercial music, it is not unusual for that amount of money to be allocated for the lunch commemorating the signing of one of their recording contracts.
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The idea of the nightclub as a supported and supportive venue for the creation of music is as outdated and outmoded as an idea as even thinking about it as a venue for the creation of the music. A nightclub is a place where you are supposed to have fun and drink and carry on.
areas attention believe certain extent ignored interested longer music others people public since singled totally
In certain areas of this music, especially since the 1960s - and that is no coincidence - certain people have been singled out for attention and the others have been totally ignored to the extent that the interested music public has been made to believe that they no longer exist.