Benedict Cumberbatch
Benedict Cumberbatch
Benedict Timothy Carlton Cumberbatch CBE is an English actor and film producer who has performed in film, television, theatre and radio. The son of actors Timothy Carlton and Wanda Ventham, he graduated from the University of Manchester and continued his training at the London Academy of Music and Dramatic Art, obtaining a Master of Arts in Classical Acting. He first performed at the Open Air Theatre, Regent's Park in Shakespearean productions and has portrayed George Tesman in Richard Eyre's revival...
NationalityEnglish
ProfessionMovie Actor
Date of Birth19 July 1976
CityLondon, England
'Benedict' means 'blessed.' My parents liked the sound of the name and felt slightly blessed because they'd been trying for a child for a very long time.
I don't live beyond my means. I enjoy luxury and I enjoy the privilege of it, when I can afford it, and I'm in the situation where it's been given to me, but I'm very conscious of what is wasteful.
It's one of the things that attracted me to the role [Doctor Strange] is the fact that it's a really widely origin story, I mean this is part of it, but of course there's the whole chapter before where he's the neurosurgeon who has the accident. It's fantastic.
I've never done a lead role in a film this big [like Doctor Strange], in a franchise this big. One of the reasons was, I wanted to know what the toy box was like. And it's just insane, the amount of facility that everyone gets, but the amount of artistry and craft that's brought to every aspect of filmmaking. I mean, you go to your first costume fitting and it's one of thirty. It's a myriad, but it's for a reason. There are so many incredible costumes in this.
If I'm playing someone who's smart, suddenly every character I've played is smart. If I'm playing a bad guy, every character is a bad guy. I suppose it's that thing where people want to see a through-line to understand you. I mean, you know, I have played pretty ordinary people too.
I think what I loved in cinema - and what I mean by cinema is not just films, but proper, classical cinema - are the extraordinary moments that can occur on screen. At the same time, I do feel that cinema and theater feed each other. I feel like you can do close-up on stage and you can do something very bold and highly characterized - and, dare I say, theatrical - on camera. I think the cameras and the viewpoints shift depending on the intensity and integrity of your intention and focus on that.
Upper class to me means you are either born into wealth or you're Royalty.
Sherlock [Holmes] is on the side of the angels, but don't think he's one of them. He uses similar means, but it seems to be for a better purpose, one would hope.
I was happy as an only child, but I've always wanted to be part of a bigger family.
When you freefall for 7,000 feet it doesn't feel like you're falling: it feels like you're floating, a bit like scuba diving.
Even in cerebral roles that are seemingly intelligent and nothing else, I think it's so important to wrap your characterization in a physical form as well.
You can perfect genius because genius is not perfection. On his level and his practice and his methodology, it's almost inhuman. So, that's been a fantastic arc to play, and boy does it go somewhere in this series [of Sherlock Holmes].
[ Sherlock Holmes] has moved from being someone who was sociopathic, work-obsessed and slightly amoral, into being someone who has a certain degree of a private life, which is very, very private, with The Woman, or Irene Adler.
[Sherlock Holmes] has to understand the world. That's very much John's [Watson] influence on him. But like a lot of the friendships and relationships in that world, it's born out of necessity. It makes him better. There's a pragmatism to it. It's not whimsical or sentimental. It's born out of necessity.