Ben Gibbard
Ben Gibbard
Benjamin "Ben" Gibbard is an American singer, songwriter and guitarist. He is best known as the lead vocalist and guitarist of the indie rock band Death Cab for Cutie, with which he has recorded eight studio albums, and as one half of the electronica duo the Postal Service. Gibbard released his debut solo album, Former Lives, in 2012, and a collaborative studio album, One Fast Move or I'm Gone, with Uncle Tupelo and Son Volt's Jay Farrar...
NationalityAmerican
ProfessionRock Singer
Date of Birth11 April 1976
CityBremerton, WA
CountryUnited States of America
I've covered Avril Lavigne. I like good pop songs, and I don't think there should be any kind of preconceptions about where good pop songs come from.
Nada Surf and Harvey Danger are good bands. I think they've just stayed true to why they play music in the first place, it's just because they love doing it and they love each other and that's the impetus for doing it, not trying to keep singles on the radio and on MTV.
I don't spend my time perusing message boards to find out what people think about me or if people think my songs are good or if people love that lyric or this or that. I just want to be happy with it myself - and if other people like it, that's great.
More times than not, it's a failed endeavor. You will fail more times than you succeed. But I think you need those failed endeavors.
I think sometimes a narrative can come out of a single word.
You can't please everybody all the time, but I think for the most part we tend to maintain a healthy level of self-reference to kind of make sure we continue to push things forward.
At this point in my life, I find myself obsessed with alternate paths I could've taken. I don't think about this with a sense of regret, but with a sense of wonder...
The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you're listening to the song because they're so seamless and clever.
It has recently come to our attention that Apple Computers' new television commercial for the Intel chip features a shot-for-shot recreation of our video for 'Such Great Heights' made by the same filmmakers responsible for the original. We did not approve this commercialization and are extremely disappointed with both parties that this was executed without our consultation or consent.
We've been handed this opportunity where we can make a real dent in popular music that we never would have had before. I think we all believe in what we're doing to such an extent that I want to take that risk. If this doesn't work out, that's fine, but at least we tried it.
I feel like this is more of an open, optimistic record, but there is a theme of mortality that floats through it. For me, I find myself being more obsessed with destinations and endings over the last couple years, even when something is going really well. I like the idea of having a love song about people dying rather than love songs about walking hand in hand down the sand.
It's our hope that this project serves as a model to both labels and bands as a way to grant the directors the type and amount of freedom we've enjoyed in the creation of the music itself.
Death Cab is a militantly analog band. We'll continue moving forward with our sound, but there will be no crossover.
The songwriting of Hall & Oates is deceptively complex. There are a number of key changes that pass you by as you're listening to the song because they're so seamless and clever.