Beeban Kidron
Beeban Kidron
Beeban Tania Kidron, Baroness Kidron, OBEis an English film director. She has directed an adaptation of Jeanette Winterson's autobiographical novel Oranges Are Not the Only Fruit and Bridget Jones: The Edge of Reason. Baroness Kidron is the joint founder of the education charity Filmclub, which helps schools with after-school clubs in the United Kingdom...
NationalityEnglish
ProfessionDirector
Date of Birth2 May 1961
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In 1982, fellow film student Amanda Richardson and I went to Greenham Common for the day - to see what was going on and to shoot some video. The day turned into a weekend, the weekend into seven months, and the dozens of hours of footage turned into a film - 'Carry Greenham Home.'
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At 99 and after a long stay in a nursing home, the death of legendary photographer Eve Arnold was hardly a surprise - though she may have been just a little annoyed to quit a few months short of 100.
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The Greenham women left home for peace: 'Not in our name!' they cried. And in doing so, they spoke for millions.
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Making a big commercial movie is hard when you think about how many of them flop.
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I think that stories, and the telling of stories, are the foundations of human communication and understanding. If children all over the country are watching films, asking questions and telling their stories, then the world will eventually be a better place.
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People have a right to have their lives witnessed; if we coexist with the systems that abuse people, then we have a duty to understand.
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Make films whenever and however you can - don't take no for an answer.
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We are increasingly offered a diet [by Hollywood] in which sensation, not story, is king.
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The irony is palpable - technical access has never been greater, cultural access never weaker.
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Human beings have always told their histories and truths through parable and fable. We are inveterate storytellers.
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We need to work out who is paying for film; in the U.K., it is increasingly difficult to get production funds - and pre-sales demand more and more shot/cut material.
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We think that there is this terrible idea that the kids are digital natives... and they know what they're doing, but all the evidence says that they're hanging around going, 'Where are you, I'm here, can I post my picture?' They're not actually writing wikis; they're not actually listening to great poets live.
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We now have powerful technology, which allows us a voice across boundaries, which was unimaginable at the time of the Greenham Protest, a protest that pre-dates the Internet and the mobile phone.
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We have allowed a situation to develop in which it is legal for a multibillion dollar industry to own, wholly and in perpetuity, the intimate and personal details of children.