Barbara Kingsolver

Barbara Kingsolver
Barbara Kingsolveris an American novelist, essayist and poet. She was raised in rural Kentucky and lived briefly in the Congo in her early childhood. Kingsolver earned degrees in biology at DePauw University and the University of Arizona and worked as a freelance writer before she began writing novels. Her widely known works include The Poisonwood Bible, the tale of a missionary family in the Congo, and Animal, Vegetable, Miracle, a non-fiction account of her family's attempts to eat locally...
NationalityAmerican
ProfessionNovelist
Date of Birth8 April 1955
CountryUnited States of America
Hallie and I... were all there was. The image in the mirror that proves you are still here. We had exactly one sister apiece. We grew up knowing the simple arithmetic of scarcity: A sister is more precious than an eye.
I lost a child," she said, meeting Lusa's eyes directly. "I thought I wouldn't live through it. But you do. You learn to love the place somebody leaves behind for you.
I've always seen the world through the eyes of a scientist. I love the predictable outcomes that science gives us, the control over the world that that can render.
Most of the girls my age, or even younger, have babies. They appear way too young to be married, till you look in their eyes. Then you'll see it. Their eyes look happy and sad at the same time, but unexcited by anything, shifting easily off to the side as if they've already seen most of what there is. Married eyes.
The moth settled onto the curtain and sat still. It was an astonishing creature, with black and white wings patterned in geometric shapes, scarlet underwings, and a fat white body with black spots running down it like a snowman's coal buttons. No human eye had looked at this moth before; no one would see its friends. So much detail goes unnoticed in the world.
Americans who read and think are patriots of the first order. The kind who know enough to roll their eyes whenever anyone tries to claim sole custody of the flag and weild it as a blunt instrument. There are as many ways to love America as there are Americans, and our country needs us all.
Good fiction creates empathy. A novel takes you somewhere and asks you to look through the eyes of another person, to live another life.
I have seen women looking at jewelry ads with a misty eye and one hand resting on the heart, and I only know what they're feeling because that's how I read the seed catalogs in January.
Human manners are wildly inconsistent; plenty of people have said so. But this one takes the cake: the manner in which we're allowed to steal from future generations, while commanding them not to do that to us, and rolling our eyes at anyone who is tediously PC enough to point that out. The conspicious consumption of limited resources has yet to be accepted widely as a spirtual error, or even bad manners.
In the long run, most of us spend about fifteen minutes total in the entanglements of passion, and the rest of our days looking back on it, humming the tune.
It's surprising how much of memory is built around things unnoticed at the time.
I didn't study writing in school, I studied biology as an undergraduate and graduate student. So I think that I write fiction in the scientific way. I love invention, obviously; I love creation of character. But I do feel very rooted in the real world, even in the way that I create characters.
In fact, one of the things that I really love about literary fiction is that it's one of the few kinds of writing that doesn't tell us what to think or what to buy or what to wear. We're surrounded by advertising.
If my setting is new to a reader, or the concerns of the novel are new, I hope they will learn something about the world. I would like to say that they can trust that what they do learn in the novel will be accurate, because I pay a lot of attention to facts. I do a lot of research to make sure that I'm not giving them, you know, blue moons of Jupiter. It's not science fiction.