Barbara Kingsolver
Barbara Kingsolver
Barbara Kingsolveris an American novelist, essayist and poet. She was raised in rural Kentucky and lived briefly in the Congo in her early childhood. Kingsolver earned degrees in biology at DePauw University and the University of Arizona and worked as a freelance writer before she began writing novels. Her widely known works include The Poisonwood Bible, the tale of a missionary family in the Congo, and Animal, Vegetable, Miracle, a non-fiction account of her family's attempts to eat locally...
NationalityAmerican
ProfessionNovelist
Date of Birth8 April 1955
CountryUnited States of America
He was getting that look he gets, oh boy, like Here comes Moses tromping down off of Mount Syanide with ten fresh ways to wreck your life.
Back then I was still appalled that God would set down his barefoot boy and girl dollies into an Eden where, presumably, He had just turned loose elephantiasis and microes that eat the human cornea. Now I understand, God is not just rooting fo the dollies.
I look at my four boys, who are the colors of silt, loam, dust, and clay, an infinite palette for children of their own, and I understand that time erases whiteness altogether.
There's a graveyard in northern France where all the dead boys from D-Day are buried. The white crosses reach from one horizon to the other. I remember looking it over and thinking it was a forest of graves. But the rows were like this, dizzying, diagonal, perfectly straight, so after all it wasn't a forest but an orchard of graves. Nothing to do with nature, unless you count human nature.
In the long run, most of us spend about fifteen minutes total in the entanglements of passion, and the rest of our days looking back on it, humming the tune.
It's surprising how much of memory is built around things unnoticed at the time.
I didn't study writing in school, I studied biology as an undergraduate and graduate student. So I think that I write fiction in the scientific way. I love invention, obviously; I love creation of character. But I do feel very rooted in the real world, even in the way that I create characters.
In fact, one of the things that I really love about literary fiction is that it's one of the few kinds of writing that doesn't tell us what to think or what to buy or what to wear. We're surrounded by advertising.
If my setting is new to a reader, or the concerns of the novel are new, I hope they will learn something about the world. I would like to say that they can trust that what they do learn in the novel will be accurate, because I pay a lot of attention to facts. I do a lot of research to make sure that I'm not giving them, you know, blue moons of Jupiter. It's not science fiction.
I think that when people read fiction, they're really reading for wisdom. I am. That's what most of us really love. If we read a novel that rocks our world, it's because there's something in it that we didn't know already. Not just information but really wisdom - sort of what to do with our information. And wisdom comes from experience.
The longer you live, the more likely you are to have something to say.
Quit smoking in the hope of growing old. It takes a long time to write. People go to books for wisdom and older authors tend to have more of it.
I have my own sheep and I literally sheer the sheep and knot sweaters for friends and family from scratch.
Root out all the "to be" verbs in your prose and bludgeon them until dead. No "It was" or "they are" or "I am." Don't let it be, make it happen.