Arthur Miller
Arthur Miller
Arthur Asher Millerwas a prolific American playwright, essayist, and prominent figure in twentieth-century American theatre. Among his most popular plays are All My Sons, Death of a Salesman, The Crucibleand A View from the Bridge. He also wrote several screenplays and was most noted for his work on The Misfits. The drama Death of a Salesman is often numbered on the short list of finest American plays in the 20th century alongside Long Day's Journey into Night and A Streetcar...
NationalityAmerican
ProfessionPlaywright
Date of Birth17 October 1915
CityNew York City, NY
CountryUnited States of America
The word 'now' is like a bomb thrown through the window, and it ticks
Marrying him was my mistake, not his. He couldn't give me the attention, warmth and affection I need. It's not in his nature. Arthur never credited me with much intelligence. He couldn't share his intellectual life with me. As bed partners, we were so-so.
I couldn't have predicted that a work like 'Death of a Salesman' would take on the proportions it has
Now we settle for half and I like it better.
Now we're eating pizza as opposed to steak.
We were eating out regularly, perhaps four to five nights a week. Now we're eating out twice.
You specialize in something until one day you find it is specializing in you.
The number of elements that have to go into a hit would break a computer down. the right season for that play, the right historical moment, the right tonality.
He wants to live on through something-and in his case, his masterpiece is his son. all of us want that, and it gets more poignant as we get more anonymous in this world.
It looks like Gary Bauer is winning, but it also looks like there aren't enough of them to swing this in his direction,
When the guns roar, the arts die.
The Greeks used to use the same stories, the same mythology, time after time, different authors. There was no premium placed upon an original story, and indeed, Shakespeare likewise. A lot of people wrote plays about great kings. They didn't expect a brand-new story. It was what that new author made of the old story. It is probably the same now. We disguise it by inventing what seem to be new stories, but they're basically the same story anyway.
As a writer, I've always believed that while my work and I myself are embedded in whatever period I am writing about, clearly I am sensitive to the winds that are blowing in the culture. At the same time, I have always felt that the issue was not to deal with the problem in the abstract, but to deal with the people who are in that problem. The emphasis is on the people. The general problem begins to resolve itself even before the play is finished.
In a dream, we are simply confronted with various loaded symbols, and where one is exhausted, it gives way to another.