Anthony Marra

Anthony Marra
Anthony Marra is an American fiction writer...
NationalityAmerican
ProfessionWriter
CountryUnited States of America
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Ever since studying in Russia as a college student, I had been in a long-distance, one-sided love affair with Chechnya's remarkable history, culture and rugged natural beauty.
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Bill Watterson argued with his medium even as he eclipsed it. He was all too aware that no artistic expression better exemplifies our disposable consumer culture than the daily newspaper comic strip: today's masterpiece is tomorrow's birdcage lining.
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You look at a surgeon as you would a secular priest, almost, if it's your child, if it's your sister on the operating table. That was an idea that very much has interested me and I've wanted to explore for some time.
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I stopped by Politics & Prose to sign a few copies of 'Constellation.' A couple days later, I learned that Barack Obama also stopped by and left with one of them.
characters
To make a book convincing, it's less important that the right tree be in the right place than that the characters are emotionally real.
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My first real awareness of Chechnya came when I was a college student studying in Russia. I arrived in St. Petersburg about two months after Anna Politkovskaya was assassinated for her reports on Chechnya. I lived with an elderly woman and her grown children in an apartment that was not too far from the neighborhood military cadet school.
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No one reaches the Oval Office without a great deal of admiration for the institution - and himself - so it's unsurprising that sitting presidents favor the biographies of former presidents.
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I had assumed I'd pack my bags and head elsewhere after 'Constellation,' but Chechnya is creeping its way into the margins of my second book.
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When confronted with the facts of foreign atrocities, the experience is often consigned to the realm of the unimaginable. Fiction makes the unimaginable imaginable.
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I took a 19th-century Russian novel class in college and have been smitten with Russian literature ever since. Writers like Tolstoy, Dostoyevsky, Grossman, and Solzhenitsyn tackle the great questions of morality, politics, love, and death.
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I wanted to be a writer, but at the time, I spent my days working a retail job, my nights sleeping in my childhood bedroom, and while I had written short stories here and there, I didn't know how to write good fiction anymore than I knew how to perform good brain surgery.
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It's hard to think of another body of work that is more universally beloved - I don't think I've ever met someone who has encountered 'Calvin and Hobbes' without falling for them.
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When I visited Chechnya, I was taken aback at first because people would regularly make jokes about kidnapping me.
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When I came to the last line of 'Car Crash While Hitchhiking,' I read it as a pitiless statement of indifference: a refusal to warn the family of their impending collision, a refusal to help when miraculously spared, a refusal to act on the empathy hiding behind the story's language.