Annie Dillard
Annie Dillard
Annie Dillardis an American author, best known for her narrative prose in both fiction and non-fiction. She has published works of poetry, essays, prose, and literary criticism, as well as two novels and one memoir. Her 1974 work Pilgrim at Tinker Creek won the 1975 Pulitzer Prize for General Nonfiction. Dillard taught for 21 years in the English department of Wesleyan University, in Middletown, Connecticut...
ProfessionNon-Fiction Author
Date of Birth30 April 1945
CityPittsburgh, PA
hands painting chapters
Painters work from the ground up. The latest version of a painting overlays earlier versions, and obliterates them. Writers, on the other hand, work from left to right. The discardable chapters are on the left.
mean hands want
I know only enough of God to want to worship him, by any means ready to hand.
growing-up thinking hands
When I was six or seven years old, growing up in Pittsburgh, I used to take a precious penny of my own and hide it for someone else to find. I was greatly excited at the thought of the first lucky passerby who would receive a gift in this way, regardless of merit, a free gift from the universe. . . . I've been thinking about seeing. There are lots of things to see, unwrapped gifts and free surprises. The world is fairly studded and strewn with pennies cast broadside from a generous hand.
hands simplicity healthy
The world is fairly studded and strewn with pennies cast broadside by a generous hand. But- and this is the point- who gets excited by a mere penny? But if you cultivate a healthy poverty and simplicity, so that finding a penny will literally make your day, then, since the world is in fact planted in pennies, you have with your poverty bought a lifetime of days.
book writing hands
I do not so much write a book as sit up with it, as a dying friend. I hold its hand and hope it will get better.
time hands schedules
A schedule defends from chaos and whim. It is a net for catching days. It is a scaffolding on which a worker can stand and labor with both hands at sections of time.
motivational hands order
How we spend our days is, of course, how we spend our lives. What we do with this hour, and that one, is what we are doing. A schedule defends from chaos and whim. It is a net for catching days. It is a scaffolding on which a worker can stand and labor with both hands at sections of time. A schedule is a mock-up of reason and order—willed, faked, and so brought into being; it is a peace and a haven set into the wreck of time; it is a lifeboat on which you find yourself, decades later, still living.
ideas hands facts
Wherever we go, there seems to be only one business at hand - that of finding workable compromises between the sublimity of our ideas and the absurdity of the fact of us.
hone sail secret seeing solar spread till
The secret of seeing is to sail on solar wind. Hone and spread your spirit, till you yourself are a sail, whetted, translucent, broadside to the merest puff.
eyes startled threw
I startled a weasel who startled me, and we exchanged a long glance. . . . Our eyes locked, and someone threw away the key.
absolute added arithmetic crystals geometry grew inside maybe obedience perfect plane rock stones
Crystals grew inside rock like arithmetic flowers. They lengthened and spread, added plane to plane in an awed and perfect obedience to an absolute geometry that even stones -- maybe only the stones -- understood.
trying causes ashes
Don't save something good for a later place. Don't hold back from your students, from the poor, don't try to keep anything for yourself 'cause it'll turn to ashes.
years quitting notes
I had good innings, as the British say. I wrote for 38 years at the top of my form, and I wanted to quit on a high note.
nice writing thinking
I write in my own journal when something extraordinary or funny happens. And there's some nice imagery in there. I don't think of what to do with it.