Anne Roiphe
Anne Roiphe
Anne Roipheis an American writer and journalist. She is best known as a first-generation feminist, and author of the novel Up The Sandbox, which was filmed as a starring vehicle for Barbra Streisand in 1972. In 1996, Salon called the book "a feminist classic."...
ProfessionNovelist
Date of Birth25 December 1935
thinking artist self
Everybody is bound by some social rules. But I think that artists need some kind of freedom to explore their minds and that some of them tend to take that freedom to live a little more openly or a little more dangerously, sometimes a lot more self-destructively, than other people.
fun self mirrors
Self-pity is never useful. It tends to distort like a fun-house mirror.
self years age
We were not always 70, or rather our 70 is an accumulation of all the other ways we were. Our 5-year-old selves became our 10-year-old selves, and so on and on; and if we unpack our selves, the full album appears. Every moment is a part of the following moment, and we are all a continuum.
artist self issues
However, there probably is a slight connection between the high-wire, super sensitivity, open to everything and too much, and slightly fragile soul of the artist and the need to self-medicate, which can lead to bad trouble either in drugs, or alcohol. So it's not that there's no connection, it's just that we can't make too much of it because it isn't the addiction that's the issue, it's the fragility of some people who do artistic work, who end up in rehab somewhere or other.
children writing people
Many writers do write about their families and their immediate loved ones and love experiences, either as children or as adults. And very often people get offended by it.
writing thinking mad
I don't really think it comes as a shock to every writer if somebody in their family is mad at them. Yes, it's very upsetting. But it's inherent in the process of trying to make sense of one's life, which is what I think is perhaps at the bottom of writing at all.
world needs feels
I feel that the world needs writers. We need to know what's really going on.
people community world
We have to recognize that it is a very, very painful thing for people to be exposed to their social community, to be exposed in the world, as not what they would have wanted to be seen as. This is very painful and difficult for people.
thinking use modern
I think our material is our lives. That's part of being a modern writer, and we have to use it.
mother book writing
My mother had died when I wrote my first book. I was twenty-seven, so it was right at the beginning of my writing life. I don't know if she had lived, if I would have done it, certainly not quite like I did. But, you can't rethink it. You wrote what you wrote, it meant something to other people, and that's your good.
thinking people world
People always think their world is coming to an end if they're exposed, and of course it isn't coming to an end; it goes right on exactly the way it always was.
war writing world
It's true, we tend to write about the same thing over and over again because this is our trauma. If I had been in World War II, I might have been writing about D-Day over and over again.
daughter mother father
Our mythology tells us so much about fathers and sons. ... What do we know about mothers and daughters? ... Our power is so oblique, so hidden, so ethereal a matter, that we rarely struggle with our daughters over actual kingdoms or corporate shares. On the other hand, our attractiveness dries as theirs blooms, our journey shortens just as theirs begins. We too must be afraid and awed and amazed that we cannot live forever and that our replacements are eager for their turn, indifferent to our wishes, ready to leave us behind.
moving perfect world
I am not a perfect friend, and it is impossible not to rebuff or be rebuffed if you move about the world.