Annalee Newitz
Annalee Newitz
Annalee Newitzis an American journalist, editor, and author of both fiction and nonfiction. She is the recipient of a Knight Science Journalism Fellowship from MIT, and has written for periodicals such as Popular Science and Wired. From 1999 to 2008 she wrote a syndicated weekly column called Techsploitation, and from 2000–2004 she was the culture editor of the San Francisco Bay Guardian. In 2004 she became a policy analyst at the Electronic Frontier Foundation. She also co-founded other magazine with...
NationalityAmerican
ProfessionJournalist
CountryUnited States of America
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You are ruled by change whether you like it or not, and io9's future path lies with joining a larger site that covers technology as well as science and science fiction.
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Fifty years ago, historians advised politicians and policy-makers. They helped chart the future of nations by helping leaders learn from past mistakes in history. But then something changed, and we began making decisions based on economic principles rather than historical ones. The results were catastrophic.
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Unlike economics, whose sole preoccupation in our finance-obsessed era is the near-term profit motive, history offers a way to place our tiny lifespans in a narrative that spans dozens of generations - perhaps even reaching into a future where capitalism is no longer our dominant form of economic organization.
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To understand the future properly, it's crucial that we listen to geologists as often as we do computer scientists.
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'Interstellar' is a thematic sequel to Christopher Nolan's last original film, 'Inception'. It drops us into a dark future full of otherworldly landscapes and time distortions.
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In the 1970s, as historians became enchanted with microhistories, economists were expanding the reach of their discipline. Nations, states and cities began to plan for the future by consulting with economists whose prognostications were shaped by investment cycles rather than historical ones.
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Turning a zombie pandemic into a generic disaster movie robs the zombies of their dirty, nasty edginess and robs the disaster of its epic scope.
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With technology tracking us everywhere we go, 'cosplay' might become our best defense against surveillance.
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What can we expect from this latest crop of indie directors who have been sucked into the franchise factory? I'm especially curious about 'Star Wars,' which will feature an all-indie crew after J. J. Abrams finishes with 'Episode VII.'
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We sometimes allow writers to publish their work without editing on io9.
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Women are being welcomed into science fiction, but it's through the back door.
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To share a story is in part to take ownership of it, especially because you are often able to comment on a story that you are sharing on social media.
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There can be problems with extended families, and it can get a little close for comfort. But for the younger generations, it's clear that this option is becoming almost as appealing as living alone.
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'The Red' is the first book in a trilogy that gained a big following as a self-published e-book, and is now out in paper from Saga. It introduces us to reluctant hero Shelley, a former anti-war activist who chooses to join the military rather than serve jail time after being arrested at a protest.