Annabelle Selldorf
Annabelle Selldorf
Annabelle Selldorf is a German-born architect and founding principal of Selldorf Architects, a New York City-based architecture practice. She is a Fellow of the American Institute of Architects. Her projects include the Sunset Park Material Recovery Facility, Neue Galerie New York, renovation of the Sterling and Francine Clark Art Institute and two high-rise residential buildings along New York's High Line. She is currently designing an expansion of the Museum of Contemporary Art San Diego and several buildings for the LUMA...
NationalityGerman
ProfessionArchitect
CountryGermany
I'm not so interested in technology for technology's sake. I don't need incredibly sophisticated climate-control systems. And I'm absolutely amazed at the time people spend exchanging messages; I don't have a lot of time left over for those things.
Tension is an interesting quality - and architecture must have it. There should be elements of the inexplicable, the mysterious, and the poetic in something that is perfectly rational.
There's no architect who doesn't want to build a library - and I am no different. With so much scrutiny now attached to reading - because of technology and how we approach it as a social activity - that is a very exciting area in architecture.
The secret of good architecture is having more than meets the eye.
I was brought up to reuse things.
Architecture is about aging well, about precision and authenticity. There is much more to the success of a building than what you can see. Im not suggesting that gestural architecture is always superficial, but solid reasoning has its place.
I make spaces that are calm rather than confrontational. I seek a certain kind of logic that allows you to move in space and perceive it as beautiful and rational. Clarity is a worthwhile quality.
So much of what makes a room great is how you enter and circulate through it, how it addresses the body.
To me, the nicest luxury would be to have a room where I could keep all my books in one place - and have space for more.
I'm inspired by looking at art, by looking at precedent. Looking is what you have to do if you want to make things, so you develop a critical eye.
All clients think that they are architects.
When everything is perfectly orderly and understandable, there has to be one thing that puts everything into question.
One of the things I've always loved about New York is there is so much precedent for ornament on industrial buildings.
I think when you look at architectural photography it doesn't help to have piles of old clothes lying on the floor. Architectural photography sets up an artifice.