Ann Hood

Ann Hood
Ann Hoodis an American novelist and short story writer; she has also written nonfiction. The author of fifteen books, her essays and short stories have appeared in many journals, magazines, and anthologies, including The Paris Review, Ploughshares,, and Tin House. Hood is a regular contributor to The New York Times' Op-Ed page, Home Economics column. Her most recent work is Knitting Pearls: Writers Writing about Knitting, published with W.W. Norton and Company in fall of 2015...
NationalityAmerican
ProfessionNovelist
Date of Birth9 December 1956
CountryUnited States of America
Grief doesn't have a plot. It isn't smooth. There is no beginning and middle and end.
I write so that people will read what I write. I don't want to write a book that a thousand people read, or just privileged people read. I want to write a book whose emotional truth people can understand. For me, that's what it's about.
I am thrilled to write 'The Treasure Chest,' and to bring to life not only the childhoods of famous people from history, but also the characters of Maisie and Felix, who I hope you will fall in love with just as I have!
God does give us more than we can bear sometimes.
Babies make you do things for them. They get you up and they get you moving.
As someone who has lived the nightmare of losing a child, I know that the enormous hole left behind remains forever.
When I began my career as a flight attendant, I was a 21-year-old with a B.A. in English and stars in her eyes. I wanted to see every city in the world. I wanted to have adventures that, I hoped, would fuel a writing career some day.
In my adult life, I had spent a lot of time angry at God, mostly over the sudden deaths in my family - my brother at 30, my daughter at 5.
The only language she could speak was grief. How could he not know that? Instead, she said, "I love you." She did. She loved him. But even that didn't feel like anything anymore.
love is reliable. infatuation is temporary.
No mother should lose her child.
Don't waste your one beautiful life.
I learned to knit in 2002, six months after my 5-year-old daughter, Grace, died suddenly from a virulent form of strep. I was unable to read or write, and friends suggested I take up knitting; almost immediately I fell under its spell.
I was a daughterless mother. I had nowhere to put the things a mother places on her daughter. The nail polish I used to paint our toenails hardened. Our favorite videos gathered dust. Her small apron was in a box in the attic. Her shoes - the sparkly ones, the leopard rain boots, the ballet slippers - stood in a corner.