Andy Goldsworthy
Andy Goldsworthy
Andy Goldsworthy, OBEis a British sculptor, photographer and environmentalist producing site-specific sculpture and land art situated in natural and urban settings. He lives and works in Scotland...
NationalityBritish
ProfessionSculptor
Date of Birth26 July 1956
fall opportunity weather
For me looking, touching, material, place and form are all inseparable from the resulting work. It is difficult to say where one stops and another begins. Place is found by walking, direction determined by weather and season. I take the opportunity each day offers: if it is snowing, I work in snow, at leaf-fall it will be leaves; a blown over tree becomes a source of twigs and branches.
land weather understanding
The process of growth is obviously critical to my understanding of the land and myself. So the process is far more unpredictable with far more compromises with the day, the weather, the material.
art light weather
Movement, change, light, growth and decay are the lifeblood of nature, the energies that I I try to tap through my work. I need the shock of touch, the resistance of place, materials and weather, the earth as my source. Nature is in a state of change and that change is the key to understanding. I want my art to be sensitive and alert to changes in material, season and weather. Each work grows, stays, decays. Process and decay are implicit. Transience in my work reflects what I find in nature.
thinking weather forever
I think I have been fashioned by the fickle weather of Britain that it is - it's forever changing. There's no kind of constant sun or dry weather or freezing weather, and I'm always having to change and adapt to that.
acceptable breaking fact familiar hammer response stone violent
Breaking stone with a hammer is a familiar and acceptable way of working the material, but is in fact a more violent response than firing.
origin
Fire is the origin of stone. By working the stone with heat, I am returning it to its source.
photography distance way
Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made.
firsts reason
My work comes first, reasons for it follow.
rocks want sticks
I want to get under the surface. When I work with a leaf, rock, stick, it is not just that material in itself, it is an opening into the processes of life within and around it. When I leave it, these processes continue.
memories historical stones
A stone is ingrained with geological and historical memories.
ifs repeats fascinating
If you repeat something, it can become pointless. Some things can repeat and be endlessly fascinating.
heart swings hands
Time confined into blind caves or extended through tunnels, responds to the call of infinity, which teases with its promise of freedom. outside the body, time is a pair of compasses in the hands of eternity, but inside it is a pendulum, fastened to the heart. the heart takes its measure from the lengthening swing of the pendulum surveying what time is left. in its own rhythm time spreads itself wildly here and there and is crippled elsewhere. its unequally distributed weight wounds my body - that is how the particularities of my life are manifest.
scary watches stones
It's frightening and unnerving to watch a stone melt.
iron blood stones
The reason why the stone is red is its iron content, which is also why our blood is red.