Andy Goldsworthy
Andy Goldsworthy
Andy Goldsworthy, OBEis a British sculptor, photographer and environmentalist producing site-specific sculpture and land art situated in natural and urban settings. He lives and works in Scotland...
NationalityBritish
ProfessionSculptor
Date of Birth26 July 1956
art writing thinking
It's art that's taught me to think and to write.
thinking always-trying appearance
I think that I'm always trying to get beyond the surface appearance of things, to go beyond what I can just see.
art thinking aging
As you grow older you realize that art has an enormous effect. It's frightening sometimes to think of the effect that we can have.
thinking potatoes different
A lot of my work is like picking potatoes; you have to get into the rhythm of it. It is different than patience. It is not thinking. It is working with the rhythm.
thinking race ice
There's a huge number of things that are occurring with the ice works which fascinate me enormously, but it's driven by this kind of frantic race against time. And whilst that creates a huge amount of tension and problems, it's a tension that I think I feed off.
sleep thinking sculpture
I think that any sculpture is a response to its environment. It can be brought to life or put to sleep by the environment.
mean thinking artist
I'm an artist living in a small, Scottish village. So one would expect to be treated with some sort of caution. And the village and the farmers have shown enormous tolerance of me and interest in what I do. I mean, they don't necessarily understand what I'm doing all the time. But they, you know, I think they respect what I do and that there is a connection between what they do with the land and what I do, you know, that we're both dependent on weather and respond to that.
thinking weather forever
I think I have been fashioned by the fickle weather of Britain that it is - it's forever changing. There's no kind of constant sun or dry weather or freezing weather, and I'm always having to change and adapt to that.
acceptable breaking fact familiar hammer response stone violent
Breaking stone with a hammer is a familiar and acceptable way of working the material, but is in fact a more violent response than firing.
origin
Fire is the origin of stone. By working the stone with heat, I am returning it to its source.
photography distance way
Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made.
firsts reason
My work comes first, reasons for it follow.
rocks want sticks
I want to get under the surface. When I work with a leaf, rock, stick, it is not just that material in itself, it is an opening into the processes of life within and around it. When I leave it, these processes continue.
memories historical stones
A stone is ingrained with geological and historical memories.