Andrew Bird
Andrew Bird
Andrew Wegman Birdis an American musician, songwriter, and multi-instrumentalist. He was initially known through his work with the band Squirrel Nut Zippers before forming Bowl of Fire, and is now best known as a solo musician. Bird's primary instrument is the violin, but he is also proficient at other instruments including whistling, guitar, and the glockenspiel. He wrote "The Whistling Caruso" for The Muppets and performed the whistling heard in both the film and the soundtrack. Bird composed the score...
NationalityAmerican
ProfessionRock Singer
Date of Birth11 July 1973
CityLake Forest, IL
CountryUnited States of America
There's kind of this unequaled thrill of playing a half-finished song, it's kind of sense of slight embarrassment; like you're blushing. I like doing that. I did that with "Eyeoneye" and it was almost a curse on the song for a while; I debuted it when it was half-finished in a very public way
The first splurge of creativity is kind of free, and the last 30 percent is painstakingly hard work, but it's good to light a fire and make it public and create that expectation. It's become part of the writing process, really, a way to ask the audience what they think, how they think it's going. I can't write songs in a vacuum.
I think any songwriter or record, no matter how good it is, can become tedious if it's the same person's point of view. After four tracks, you start to get worn down no matter how good it is. It can be relentlessly good, but it's still going to wear you out.
When I'm onstage, I'm completely comfortable, and I feel very vital and alive.
The music that I write is often not necessarily full of doom and gloom. You'll notice in most of the darkest songs, the music is actually pretty peaceful and lulling.
The earth almost looks like it's packed down and dense from so many feet treading over it.
Sometimes I just think we're not meant to fly halfway around the world in a day. That some kind of mutation is going to happen.
I think life is a wondrous thing. I'm happy to try pretty hard.
Most records, you build from the drums and bass up. This one, we started with the vocals in Nashville and recorded them live with just the guitars and tried to make that complete and lovely-sounding without any adornment at all. I really wanted to get something with the vocal that I've never gotten before Armchair Apocrypha.
Every time I make a record, it's kind of like scarification or something. You work 15 hours until you're stupid. You're just kind of all jittery.
I have the barn, it's just kind of like a studio. Almost all artists have la studio to work in, and that's really what it is. A place to get away. I'll spend maybe four days out there if I can, just completely immersed - like where I don't bathe or brush my teeth for a few days, just get up and make coffee and experiment until the sun goes down.
I'm not a home-studio guy. I spend a lot of time working by myself developing songs, but I really need some other counterpart to help me pull it all together, because you go nuts working if I had to finish an entire project all within my own head.
The weirdest time is when I'm having to explain myself all day to journalists, and then I don't perform, so there's no release, just a lot of self-consciousness. Then what do you do with that at the end of the day? How do you release your brain from talking about yourself all day?
Some of your best songs come from a desperate attempt to escape, so sitting in an airport for hours I can just start pulling out little fragments of songs from my head. A lot of times a melody will just occur to me and be my companion for a couple of months.