Amy Tan
Amy Tan
Amy Tanis an American writer whose works explore mother-daughter relationships and the Chinese-American experience. Her best-known work is The Joy Luck Club, which has been translated into 25 languages. In 1993, the book was adapted into a commercially successful film...
NationalityAmerican
ProfessionNovelist
Date of Birth19 February 1952
CityOakland, CA
CountryUnited States of America
art artists chinese far government might subversive taking thousands
Chinese artists have been subversive over thousands of years, taking what they think of the government and embedding it in their art. There might be censorship of not going as far as they might.
mean artist luxury
That was a wonderful period in my life. I mean, I didn't become an artist, but somebody let me do something I loved. What a luxury, to do something you love to do.
mother art blow
I was six when my mother taught me the art of invisible strength. It was a strategy for winning arguments, respect for others, and eventually thought neither of us knew it at the time, chess games... Come from the South, blow from the wind -- poom!-- North will follow. Strongest wind cannot be seen.
art writing stories
I wanted to write stories for myself. At first it was purely an aesthetic thing about craft. I just wanted to become good at the art of something. And writing was very private.
strength mother art
I was six when my mother taught me the art of invisible strength..."strongest wind cannot be seen."
chords hard nervous obsess paralyzed people practiced shot time vocal
We are the kind of people who obsess over one word, ... but we have only one shot to get it right in concert. It was hard the first time I practiced with them. I was so nervous that my vocal chords were paralyzed for about a half-hour.
face lose pain stone washing worn
I did not lose myself all at once. I rubbed out my face over the years washing away my pain, the same way carvings on stone are worn down by water.
agent american-novelist sell until
She said 'I'm by commission. You don't have to pay anything until you sell anything.' I said, 'Well fine. You want to be my agent and not make anything.' I thought, 'Boy, is she dumb.'
almost assured good imagery knowledge listen nonfiction open particular sentence universe voice writer
I'm open to reading almost anything - fiction, nonfiction - as long as I know from the first sentence or two that this is a voice I want to listen to for a good long while. It has much to do with imagery and language, a particular perspective, the assured knowledge of the particular universe the writer has created.
contains saw
My writing often contains souvenirs of the day - a song I heard, a bird I saw - which I then put into the novel.
exist journals
When I go back and read my journals or fiction, I am always surprised. I may not remember having those thoughts, but they still exist and I know they are mine, and it's all part of making sense of who I am.
careful deliberate emotions experience thus wild
I write because I know that one day I will die, and thus I should experience as many deliberate observations, careful thoughts, wild ideas, and deep emotions as I can before that day occurs.
anyone books choose require required seems shudder
I would never require anyone to read any book. That seems antithetical to why we read - which is to choose a book for our personal reasons. I always shudder when I'm told my books are on required reading lists.
chinese level means
I am an American, steeped in American values. But I know on an emotional level what it means to be of the Chinese culture.