Amanda Schull

Amanda Schull
Amanda Schullis an American actress and former professional ballet dancer. She is best known for her lead role in the 2000 film Center Stage and for her recurring roles on One Tree Hill, Pretty Little Liars, and Suits. She currently stars in the Syfy television series 12 Monkeys...
NationalityAmerican
ProfessionDancer
Date of Birth26 August 1978
CityHonolulu, HI
CountryUnited States of America
home years two
For the first four years of my studying in the U.S., I couldn't go home for two reasons. One is I was afraid that if I left my student visa may not hold and I wouldn't be able to come back to continue. Second, there was this big outrage in China that I didn't know how to face the public.
years three film
The second time I was banned was when I directed a film called Xiu Xiu. I was banned for three years from China.
children years careers
A lot of professional dancers become professional when they turn 15 or 16 years old, when they're still children. So you've trained every single waking moment up until that point for a career that could maybe only last 10 years, maybe longer if your body holds up, if your injuries are kept at bay.
absolutely alone complex dancers dealt eating fair far feeling female girls minor whether
I think it would be fair to say that most female dancers have dealt with, whether it's an extreme, or minor complex in eating disorders. So the first thing I would say to girls who are feeling that way is you're not alone. You're far from alone. You're the majority. There's absolutely nothing wrong with what you're feeling.
bake bring cook food good italian mexican
I'm a really good cook. I bake a lot. I cook dinner most nights. I cook everything from Italian food to Mexican food. But if I'm going to some place and it's a potluck, I'm always the one to bring dessert!
jobs memories character
You never know where your next job is going to lead you, down the road. One single episode that might seem so far removed from what you might end up doing in the future might spark somebody's memory bank. Just one little line you said or a look you gave might be what they want to pursue with a character.
pain caring emotional
When I am confronted with emotional pain, I try to allow myself the time to properly grieve. We are caring, emotional beings, and attempting to suppress pain will only cause it to negatively manifest itself in other ways.
vulnerable feels
I feel vulnerable when I am underprepared. This applies to underpreparedness with just about anything, especially work.
dog inspiration thinking
I think much of my inspiration comes from nature. I feel alive when I take a long hike with my dog or when I just spend time outdoors, appreciating the beauty of this world. I even feel alive and inspired when I walk through farmers markets appreciating and learning about local fruits and vegetables.
mom dog school
When I was in high school, my mom gave me a paperweight. It was when I was going through my 'not that interested in doing homework or really working on anything' phase and the paperweight said "If you're not the lead dog, the view never changes." And that's sort of the same thing, if you're not always working to be in the front.
giving-up passion focus
Center Stage focused on the drive and what it's like to be a student, and this is what it's like to be an adult and what you need to give up in the pursuit of that passion and that focus.
perspective ballet fans
Nicholas Hytner, who directed Center Stage, is a huge ballet fan. He was completely open, as was Bruce Beresford, to get our perspective. "No, we wouldn't do this. Yes, we would do that. That's not realistic." So, I feel like Center Stage did well in that respect.
character home army
I left home at 14 and I have friends who joined the navy and the army performing troops at 9. I know people [like that]. It's a very straightforward character.
typical fans my-favorite
I wouldn't necessarily consider myself the typical sci-fi genre fan. I do have a lot of sci-fi shows that I enjoy, but I wouldn't call it my favorite genre of all.