Allen Ginsberg
Allen Ginsberg
Irwin Allen Ginsbergwas an American poet and one of the leading figures of both the Beat Generation of the 1950s and the counterculture that soon would follow. He vigorously opposed militarism, economic materialism and sexual repression and was known as embodying various aspects of this counterculture, such as his views on drugs, hostility to bureaucracy and openness to Eastern religions. He was one of many influential American writers of his time known as the Beat Generation, which included famous writers...
NationalityAmerican
ProfessionPoet
Date of Birth3 June 1926
CityNewark, NJ
CountryUnited States of America
I have a new method of poetry. All you got to do is look over your notebooks... And think of anything that comes into your head, especially the miseries... Then arrange in lines of two, three or four words each, don't bother about sentences ...
America I'm putting my queer shoulder to the wheel.
I've got enough money to live where I want, but I don't want to move.Go out and have sexual adventures in Burma.
The desire to have power dissolves. The desire to dominate people for love dissolves. On the other hand, it's a relief to realize you can let go.
The combination of drugs, homosexuality, some good prose recited on screen. . . . In the sweat lodge ceremony we went through, did you get any glimpse of the Ugly Spirit, what that was historically or biographically?
The first person who really showed me the ugly spirit was Brion Gysin. "The ugly spirit shot Joan because . . ." and I never found out why. This Brion wrote out on a piece of paper in a sort of trance state.
To get on screen with the Talking Asshole, quite a feat. And it's certainly going to be a cult film that people will be seeing.
I like the image of The Old Man and the Sea, of striving and succeeding but finding that the success was ghost success. In other words, in the long run, after a certain age, the motives for success, pride or oppressing people or getting power.
It's very much related to the American tycoon. To William Randolph Hearst, Vanderbilt, Rockefeller, that whole stratum of American acquisitive evil. Monopolistic, acquisitive evil. Ugly evil. The ugly American. The ugly American at his ugly worst. That's exactly what it is.
That's what the shaman said. He didn't know what he was up against. He didn't expect the strength and weight and evil intensity of this spirit, this "entity," as he called it. The same way the priest in an exorcism has to take on the spirit.
Presumably, if you see spirit at the moment it gained access, then it'll be dropped.
This is the same notion - Catholic exorcism, psychotherapy, shamanistic practices - getting to the moment when whatever it was gained access. And also to the name of the spirit. Just to know that it's the Ugly Spirit. That's a great step. Because the spirit doesn't want its name to be known.
[William Butler] Yeats has the phrase Hodos Chameliontos, chameleon-like, in that you don't know where the beginning or the middle or the end is, so it's an unrelieved hallucination, because you don't know where you're coming in and you don't know where you're going out. It ends, you're going into the hallucination, or maybe coming out of it, I don't know.
No monster vibration, no snake universe hallucinations. Many tiny jeweled violet flowers along the path of a living brook that looked like Blake's illustration for a canal in grassy Eden: huge Pacific watery shore, Orlovsky dancing naked like Shiva long-haired before giant green waves, titanic cliffs that Wordsworth mentioned in his own Sublime, great yellow sun veiled with mist hanging over the planet's oceanic horizon. No harm.