Alice McDermott
Alice McDermott
Alice McDermottis an American writer and university professor. For her 1998 novel Charming Billy she won an American Book Award and the U.S. National Book Award for Fiction...
NationalityAmerican
ProfessionNovelist
Date of Birth27 June 1953
CityBrooklyn, NY
CountryUnited States of America
lose love manipulate
I love a well-plotted story. But I'm just not that kind of writer, and it's not necessarily by choice. When I manipulate plot, I feel I lose authenticity.
hear love music ordinary rhythm
I've got to hear the rhythm of the sentences; I want the music of the prose. I want to see ordinary things transformed not by the circumstances in which I see them but by the language with which they're described. That's what I love when I read.
connection continue heart impossible intelligence interests knows life lost love return shelter time whatever yearn
What interests me is whatever it is that allows the heart to continue to yearn for something the intelligence knows is impossible to have: a lost love, a shelter from life's blows, the return of a time past, even a connection to the dead.
attending believed characters city days enjoyed fictional life listening loved music parents poems poetry school york
I believed in fictional characters as if they were a part of real life. Poetry was important, too. My parents had memorized poems from their days attending school in New York City and loved reciting them. We all enjoyed listening to these poems and to music as well.
novels publishing rather shouting tend
Publishing a short story can sometimes feel like shouting into the dark... your words come out, and then nothing... but I don't think that's why I tend to write novels rather than stories.
equal gives life odd pleasure time
Read everything. Write all the time. And if you can do anything else that gives you equal pleasure and allows you to sleep soundly at night, do that instead. The writing life is an odd one, to say the least.
leaves memoir outside poet rather somewhat uncover
The thing that fiction can do is look from the inside out rather than from the outside in. Even memoir leaves me somewhat frustrated. I think now we need a poet to uncover what isn't on the surface.
believed experience human literature shared
I've always believed you go to literature to find the shared human experience, not the categorized human experience.
ask graduate students understand whether work
At the beginning of every semester, I ask my graduate students whether there is something I should read that will help me understand their work.
kids
I was one of those kids who always wrote.
I was born in Brooklyn, but I never lived there.
catholic children education gone inner life looking talking though value
My children have gone to Catholic school... Part of their whole education is talking about the inner life and looking at your life, even though you're only 15 or 16 - thinking about your mortality, thinking about the value of your life, thinking about your obligations.
against awful characters confined faith rebelling
Most of the characters I write with don't think an awful lot about their faith. They're not always questioning the church or feeling confined by the church or rebelling against the church.
asked brothers complete imperious nobody saying sentences
I was the youngest; I had two imperious older brothers - I didn't get to often complete sentences at the dinner table. So writing was a way of saying what nobody asked me to say.