Alfred Eisenstaedt
Alfred Eisenstaedt
Alfred Eisenstaedtwas a German-born American photographer and photojournalist. One of the most prolific photographers of the twentieth century, he began his career in pre-World War II Germany, and after moving to the U.S., achieved prominence as a staff photographer for Life Magazine which featured more than 90 of his pictures on its covers with over 2,500 photo stories published...
NationalityAmerican
ProfessionPhotographer
Date of Birth6 December 1898
CountryUnited States of America
dream photography eye
I dream that someday the step between my mind and my finger will no longer be needed. And that simply by blinking my eyes, I shall make pictures. Then, I think, I shall really have become a photographer.
people needs photographer
Photographers don't need to be aggressive. Some are. Henry Benson is aggressive - but then he's from Fleet Street. If you can talk to people, you don't need to push people around.
photography would-be assistants
I don't like to work with assistants. I'm already one too many; the camera alone would be enough.
photography simple light
My style hasn't changed much in all these sixty years. I still use, most of the time, existing light and try not to push people around. I have to be as much a diplomat as a photographer. People don't often take me seriously because I carry so little equipment and make so little fuss... I never carried a lot of equipment. My motto has always been, "Keep it simple".
photography lying hard-work
It's important to understand it's OK to control the subject. If most editorial stories were photographed just as they are, editors would end up throwing most in the waste basket. You have to work hard at making an editorial picture. You need to re-stage things, rearrange things so that they work for the story, with truth and without lying.
photography important shutters
The most important thing... is not clicking the shutter... it is clicking with the subject.
stories photographer moments
All photographers have to do, is find and catch the story-telling moment.
photography diplomats photographer
I have to be as much diplomat as a photographer.
photography successful hands
I don’t use an exposure meter. My personal advice is: Spend the money you would put into such an instrument for film. Buy yards of film, miles of it. Buy all the film you can get your hands on. And then experiment with it.That is the only way to be successful in photography. Test, try, experiment, feel your way along. It is the experience, not technique, which counts in camera work first of all. If you get the feel of photography, you can take fifteen pictures while one of your opponents is trying out his exposure meter.
photography fleeting world
We are only beginning to learn what to say in a photograph. The world we live in is a succession of fleeting moments, any one of which might say something significant.
photography taken eye
I seldom think when I take a picture. My eyes and fingers react - click. But first, it's most important to decide on the angle at which your photograph is to be taken.
photography eye people
With photography, everything is in the eye and these days I feel young photographers are missing the point a bit. People always ask about cameras but it doesn't matter what camera you have. You can have the most modern camera in the world but if you don't have an eye, the camera is worthless. Young people know more about modern cameras and lighting than I do. When I started out in photography I didn't own an exposure meter - I couldn't , they didn't exist! I had to guess.
eye sometimes photograph
In a photograph a person’s eyes tell much, sometimes they tell all.
photography hands cameras
When I have a camera in my hand, I know no fear.