Alfonso Cuaron

Alfonso Cuaron
Alfonso Cuarón Orozcois a Mexican film director, screenwriter, producer and editor best known for his dramas A Little Princessand Y Tu Mamá También, the fantasy film Harry Potter and the Prisoner of Azkaban, and science fiction thrillers Children of Menand Gravity. Cuarón is the first Latin American director to win an Oscar for Best Directing...
NationalityMexican
ProfessionDirector
Date of Birth28 November 1961
CountryMexico
bad designed films
I understand the bad rap that 3-D is getting because the conversions are crappy and because the films aren't designed for 3-D. It's a completely different medium.
alone few films knew lights minutes nerd theater
I knew early on that I was a nerd and that films were my refuge. Those first few minutes before the lights went off, and you're alone in the theater waiting, were really pleasurable.
arc gets hardest nail ryan
Dramatically, the moment in 'Gravity' that was hardest to nail down is when Ryan is in the Soyuz capsule and she realizes that she's out of fuel. That's when the character's arc gets defined.
channel cuts discovery extended luxury reason shots takes time tracking
The reason I like tracking shots has to do more with a sense of real time than anything else. In 'Gravity,' the use of tracking - of long extended takes - was partially because we wanted to film it like an IMAX-style Discovery Channel documentary. You don't have the luxury of cuts when you're in space. The camera is there; you're just observing.
almost beyond create experience hits narrative tool
When you're doing a film, narrative is your most important tool, but it's a tool to create a cinematographic experience, to create those moments that are beyond narrative, that are almost an abstraction of that moment that hits your psyche.
films
For me, my films are not like my children. They are like my ex-wife. They gave me so much; I gave them so much; I loved them so much; we part ways, and it's OK, we part ways.
characters ears environment foreground goes home narrative people tv watch watching
Most people just half-watch TV. They watch TV while they are doing many other things in the environment of their home. So, what they are doing goes through their ears as much as through their eyes. In television, the narrative and characters are in the foreground of everything, because you are watching TV as you do other stuff.
If you want to keep on being relevant as a director, I think you have to embrace the times. And with the times come technologies and formats.
films finished since
Once I finish a film, I don't ever see it again. Never ever. I have never seen any of my films since I finished them.
approach background caught character debris earth equally floating informs main metaphor nearly sandra tend void
In 'Gravity,' nearly everything is a metaphor for the main character. The way I tend to approach a film is that character and background are equally important; one informs the other. Here, Sandra Bullock is caught between Earth and the void of the universe, just floating there in between. We use the debris as a metaphor for adversity.
argument bad great mainstream memorable moments movies narratives remember seldom shows situations
It's seldom that you find great moments in television. Usually you remember - in 'Breaking Bad' or any of these other great shows - you remember situations or characters. Not moments. But I have to say, I can make the same argument for mainstream movies, which have bad narratives and also no memorable moments.
beings believe born design given human thankful
I believe that human beings are born first and given passports later. I'm really thankful for my journey. And it's a journey I didn't design.
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'Y Tu Mama Tambien' is one of the first unrated movies to be nominated for an Academy Award for Best Original Screenplay. But many video stores won't take a movie that's not rated, so I had to make the movie an R.
experience
Experiencing this film in 2-D is only getting about 20 percent of the experience of 'Gravity.'