Alexander Payne
Alexander Payne
Alexander Payneis an American film director, screenwriter, and producer, known for the films Citizen Ruth, Election, About Schmidt, Sideways, The Descendants, and Nebraska. His films are noted for their dark humor and satirical depictions of contemporary American society. Payne is a two time winner of the Academy Award for Best Adapted Screenplay, and a three time nominee of the Academy Award for Best Director...
NationalityAmerican
ProfessionDirector
Date of Birth10 February 1961
CityOmaha, NE
CountryUnited States of America
The actors are the greatest executors of tone in a film. They're the most important cinematic component.
To be fair-not that I really care about being fair to anyone, ever-but to be fair, I'm sure that same ratio of bad films to good probably exists in every studio.
You would own the negative after seven years. The company would actually own the film. It's kind of a financial and moral thing about owning your own creative work.
Forgiving yourself may be for many people, at least for myself, extremely difficult. And then in a larger context, I will say that I'm constantly astonished by those who pray daily, "Forgive me my sins as I forgive those who sin against me," and beat very loudly the war drum.
Comedy is a wonderful device for distance that allows us to look at what we're talking about with some degree of distance and hopefully with a bit more perspective and honesty. With many exceptions, a movie with no jokes is far less appealing to me.
I'm attracted to short screenplays. Nobody really wants a film to be over two hours, or at least I don't.
I spend a long time casting, but once I've cast a film there's a reason why I selected those people. So I'm hands-on in selecting the cast, hands-off to see what they do with their characters, and hands-on again to offer suggestions.
Adult movies with any artistic credit are released in the last quarter of the year and expected to gird for battle for Globes and Oscars. So the films aren't being seen just for themselves, but rather in a competitive context.
When I'm introduced as a two-time Oscar winner, I'm happy that a film of mine has found an audience and some acclaim because that keeps me in business. A filmmaker's greatest concern is the ability to make future films, so it helps keep me in business.
In real life, I myself am kind of a rambling guy. I like to travel.
My flag is always flying. My shingle is always out. I'm always looking for movie ideas. The hardest part of this whole movie-making endeavor is finding ideas. That's the real goal.
I think that Peter Jennings is the only decent one of the big three.
I want all of my films to belong to me.
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.